Chapter 4

Aristotle on Rhetoric 


Chapter Overview

Aristotle set out to present a systematic treatment of the art of rhetoric. His discussion of rhetoric remains one of the most complete and insightful ever penned, and certainly the most influential. Rhetoric was, for Aristotle, “the faculty of discovering the available means of persuasion in any setting.” It was not limited to one class of subjects, reasoned to probable conclusions, and could be deployed to develop arguments on either side of an issue. Rhetoric adapted messages to large audiences made up of people who lacked special training in reasoning. Moreover, rhetoric addressed questions of public significance that engaged the community’s most important values, such as those regarding happiness, virtue, and justice. Aristotle’s treatment of rhetoric still provides the foundation for much instruction in both speaking and writing.

Review Questions

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Flashcards

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The Greek term for human well-being or happiness, the goal of deliberative oratory.

eudaimonia

The Greek term for making an argument of defense, one of two functions of forensic oratory.

apologia

The Greek term for Aristotle’s universal lines of argument or common topics; arguments and strategies useful in any of the three types of oratorical settings.

koinoi topoi

The study of human character, one of the three artistic proofs.

ethos

The study of arguments, one of Aristotle’s three artistic proofs.

logos

The study of the psychology of emotion, one of Aristotle’s three artistic proofs.

pathos

Virtue, discussed as one component of ethos.

arete

Proofs taught specifically by the art of rhetoric—logos, pathos, and ethos.

artistic proofs

A method of reasoning from common opinions, directed by established principles of reasoning to probable conclusions.

dialectic

A rhetorical syllogism, or a rhetorical argument based on a premise shared by speaker and audience.

enthymeme

The kind of speaking characteristic of public ceremonies such as funerals or events commemorating war heroes.

epideictic or ceremonial oratory


Essay Questions

  1. In Gorgias, Plato argues that rhetoric is a knack, and not a techne or true art. In Rhetoric, Aristotle argues that rhetoric is a techne. Explain why Aristotle takes this position. If rhetoric is a true art, what does the art allow one to accomplish, and about what sorts of things does it instruct one? 
  2. Aristotle claimed that the art of rhetoric was built on a type of argument he termed the enthymeme. He also held that rhetoric involved the study of three artistic proofs, and that rhetoric could be divided into three general categories according to the settings in which it occurred and the issues that it addressed. Explain Aristotle’s understanding of the enthymeme. What distinguishes an enthymeme from other sorts of arguments, such as the syllogism of dialectic? Identify and briefly describe Aristotle’s three artistic proofs. What are the various types of settings, and the kinds of issues with which each deals? 

Dive deeper with hand-picked online resources 

A look at Plato’s Academy today

Enthymeme application

Demonstration of deliberative oratory in Obama’s “A More Perfect Union” Speech

Demonstration of epideictic oratory in Martin Luther King Jr.’s “I Have a Dream” speech

Demonstration of forensic oratory in Rep. Schiff’s closing argument in Donald Trump’s first impeachment trial


Want to learn more? Check out these bonus readings!  

Aristotle, Rhetoric. Trans. W. Rhys Roberts. New York: Modern Library, 1954.

Aristotle on Rhetoric: A Theory of Civic Discourse. Trans. and Ed. George Kennedy. Oxford: Oxford University Press, 1991.

Aristotle: The Classical Heritage of Rhetoric. Ed. Keith V. Erickson. Metuchen, NJ: The Scarecrow Press, 1974.

Larry Arnhart. Aristotle on Political Reasoning. DeKalb, IL: Northern Illinois University Press, 1981.

Lloyd F. Bitzer. “Aristotle’s Enthymeme Revisited.” Quarterly Journal of Speech 45 (1959): 399–408.

Barry Brummett, Reading Rhetorical Theory (Harcourt College Publishers, Fort Worth, TX: 2000), 26.

The Cambridge Companion to Aristotle. Ed. Jonathan Barnes. Cambridge: Cambridge University Press, 1995.

Thomas M. Conley. “‘Logical Hylomorphism’ and Aristotle’s Koinoi Topoi.” Central States Speech Journal 29 (Summer, 1978): 92–97. 

W. W. Fortenbaugh. Aristotle on Emotion. New York: Barnes & Noble, 1975.

James L. Golden, Goodwin F. Berquist, William E. Coleman, and J. Michael Sproule. The Rhetoric of Western Thought: From the Mediterranean World to the Global Setting. 8th ed. (Dubuque, Iowa: Kendall/Hunt, 2004), 65; 77.

William Grimaldi. Aristotle, Rhetoric I: A Commentary. New York: Fordham University Press, 1980.

Ekaterina Haskins. Logos and Power in Isocrates and Aristotle. Columbia, SC: University of South Carolina Press, 2004.

Gerard A. Hauser. “The Example in Aristotle’s Rhetoric: Bifurcation or Contradiction?” Philosophy and Rhetoric 1 (1968): 78–90.

Donovan J. Ochs. “Aristotle’s Concept of Formal Topics”. Speech Monographs 36 (1969): 419–425.

Peripatetic Rhetoric After Aristotle. Ed. W. W. Fortenbaugh and D. C. Mirhady. New Brunswick, NJ: Transaction Publishers, 1994.