{"id":1042,"date":"2025-02-11T15:53:42","date_gmt":"2025-02-11T15:53:42","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&#038;p=1042"},"modified":"2025-02-11T15:53:44","modified_gmt":"2025-02-11T15:53:44","slug":"ghada-amer","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/ghada-amer\/","title":{"rendered":"Ghada Amer"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Ghada Amer\u2019s Website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.ghadaamer.com\/ghada\/Ghada_Amer.html\">http:\/\/www.ghadaamer.com\/ghada\/Ghada_Amer.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ghada Amer at Cheim and Read<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.cheimread.com\/artists\/ghada-amer\/\">http:\/\/www.cheimread.com\/artists\/ghada-amer\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ghada Amer at Gagosian Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.gagosian.com\/artists\/ghada-amer\/\">http:\/\/www.gagosian.com\/artists\/ghada-amer\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ghada Amera at Artnet<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.artnet.com\/artists\/ghada-amer\/\">http:\/\/www.artnet.com\/artists\/ghada-amer\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ArtTalks: Ghada Amer, American Federation of Arts, 2010, on vimeo<\/h2>\n\n\n\n<p><a href=\"https:\/\/vimeo.com\/18759019\">http:\/\/vimeo.com\/18759019<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ghada amer: Love has no end exhibition, brooklyn Museum, 2008<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.brooklynmuseum.org\/exhibitions\/ghada_amer\/\">http:\/\/www.brooklynmuseum.org\/exhibitions\/ghada_amer\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Karen Rosenberg, \u201cVeiled or Naked: Scrutinizing Women\u2019s Roles,\u201d The New York Times, June 20, 2008<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.nytimes.com\/2008\/06\/20\/arts\/design\/20amer.html?_r=0\">http:\/\/www.nytimes.com\/2008\/06\/20\/arts\/design\/20amer.html?_r=0<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ghada Amer: Love Has No End, Brooklyn Museum, 2008, on Vimeo<\/h2>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=lmuRXbeo6gM\">http:\/\/www.youtube.com\/watch?v=lmuRXbeo6gM<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sonia Kolesnikov-Jessop, \u201cGhada Amer: Defusing the power of erotic images,\u201d The New York Times, March 12, 2007<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.nytimes.com\/2007\/03\/12\/arts\/12iht-jessop.4882064.html\">http:\/\/www.nytimes.com\/2007\/03\/12\/arts\/12iht-jessop.4882064.html<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"313\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_THE-GARDENS-NEXT-DOOR-D.jpg\" alt=\"\" class=\"wp-image-1043\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_THE-GARDENS-NEXT-DOOR-D.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_THE-GARDENS-NEXT-DOOR-D-300x172.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Reza Farkhondeh &amp; Ghada Amer<\/strong>,\u00a0<em>THE GARDENS NEXT DOOR &#8211; D<\/em>, 2010. Mixed media on paper, 43 3\/4 x 77 1\/2 inches, 111.1 x 196.9 centimeters. CR# GA.RF.21464. Photo credit: Courtesy Cheim &amp; Read, New York.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"436\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_My-Nympheas.jpg\" alt=\"\" class=\"wp-image-1044\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_My-Nympheas.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_My-Nympheas-300x240.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Ghada Amer<\/strong>,\u00a0<em>MY NYMPHEAS<\/em>, 2011. Embroidery and gel medium on canvas, 70 x 88 inches, 177.8 x 223.5 centimeters. CR# GA.28397. Photo credit: Courtesy Cheim &amp; Read, New York.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"390\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_NO-ROMANCE.jpg\" alt=\"\" class=\"wp-image-1045\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_NO-ROMANCE.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_NO-ROMANCE-300x215.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Ghada Amer &amp; Reza Farkhondeh<\/strong>,\u00a0<em>NO ROMANCE<\/em>, 2011. Acrylic and embroidery on paper, 42 1\/2 x 59 inches, 108 x 149.9 centimeters. CR# GA.RF.28408. Photo credit: Courtesy Cheim &amp; Read, New York.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"461\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_UNFRIENDING-CAMELIA.jpg\" alt=\"\" class=\"wp-image-1046\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_UNFRIENDING-CAMELIA.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_UNFRIENDING-CAMELIA-300x254.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Ghada Amer<\/strong>,\u00a0<em>UNFRIENDING CAMELIA<\/em>, 2011. Acrylic and embroidery on canvas, 58 x 69 inches, 147.3 x 175.3 centimeters. CR# GA.28831. Photo credit: Courtesy Cheim &amp; Read, New York.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"304\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_ORANGE_DREAM.jpg\" alt=\"\" class=\"wp-image-1047\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_ORANGE_DREAM.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/amer_ORANGE_DREAM-300x167.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Reza Farkhondeh &amp; Ghada Amer<\/strong>,\u00a0<em>ORANGE DREAM<\/em>, 2007. Mixed media on STPI handmade, cotton paper, 57 1\/4 x 108 1\/4 inches, 145.4 x 275 centimeters. CR# GA.RF.29024. Photo credit: Courtesy Cheim &amp; Read, New York.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ghada Amer\u2019s Website http:\/\/www.ghadaamer.com\/ghada\/Ghada_Amer.html Ghada Amer at Cheim and Read http:\/\/www.cheimread.com\/artists\/ghada-amer\/ Ghada Amer at Gagosian Gallery http:\/\/www.gagosian.com\/artists\/ghada-amer\/ Ghada Amera at Artnet http:\/\/www.artnet.com\/artists\/ghada-amer\/ ArtTalks: Ghada Amer, American Federation of Arts, 2010, on vimeo http:\/\/vimeo.com\/18759019 Ghada amer: Love has no end exhibition, brooklyn Museum, 2008 http:\/\/www.brooklynmuseum.org\/exhibitions\/ghada_amer\/ Karen Rosenberg, \u201cVeiled or Naked: Scrutinizing Women\u2019s Roles,\u201d The New York [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[11,13],"class_list":["post-1042","content","type-content","status-publish","hentry","topic-portraiture","topic-reproductive-processes"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1042\/revisions"}],"predecessor-version":[{"id":1048,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1042\/revisions\/1048"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=1042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=1042"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=1042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}