{"id":1117,"date":"2025-09-05T19:47:32","date_gmt":"2025-09-05T19:47:32","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/uta-barth\/"},"modified":"2025-09-05T21:09:28","modified_gmt":"2025-09-05T21:09:28","slug":"uta-barth","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/uta-barth\/","title":{"rendered":"Uta Barth"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Uta Barth at Tanya Bonakdar Gallery<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.tanyabonakdargallery.com\/artist.php?art_name=Uta%20Barth\">http:\/\/www.tanyabonakdargallery.com\/artist.php?art_name=Uta%20Barth<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Uta Barth\u2019s faculty page in the Department of Art at UC Riverside<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.art.ucr.edu\/people\/faculty\/Barth\/\">http:\/\/www.art.ucr.edu\/people\/faculty\/Barth\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Uta Barth at the MacArthur Foundation, October 2, 2012<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.macfound.org\/fellows\/859\/\">http:\/\/www.macfound.org\/fellows\/859\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Cameron Turner, \u201cAgainst Narrative: Uta Barth on Photography, Experience, and Perception\u201d, Precipitate<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/precipitatejournal.com\/archives\/volume-3\/issue-2\/interview-barth\/\">http:\/\/precipitatejournal.com\/archives\/volume-3\/issue-2\/interview-barth\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sheryl Conkelton, \u201cUta Barth\u201d, Journal of Contemporary Art, 1996<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.jca-online.com\/barth.html\">http:\/\/www.jca-online.com\/barth.html<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"432\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Barth_Field-9_1995.jpg\" alt=\"\" class=\"wp-image-1768\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Barth_Field-9_1995.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Barth_Field-9_1995-300x238.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Uta Barth<\/strong>,\u00a0<em>Field #9<\/em>, 1995. Color photograph on panel. Edition of 8. 23 x 28\u00bein. Courtesy the artist and Tanya Bonakdar Gallery, New York.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"267\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Barth_98_5.jpg\" alt=\"\" class=\"wp-image-1769\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Barth_98_5.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Barth_98_5-300x147.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Uta Barth<\/strong>,\u00a0<em>Field #9<\/em>, 1995. Color photograph on panel. Edition of 8. 23 x 28\u00bein. Courtesy the artist and Tanya Bonakdar Gallery, New York.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Uta Barth at Tanya Bonakdar Gallery http:\/\/www.tanyabonakdargallery.com\/artist.php?art_name=Uta%20Barth Uta Barth\u2019s faculty page in the Department of Art at UC Riverside http:\/\/www.art.ucr.edu\/people\/faculty\/Barth\/ Uta Barth at the MacArthur Foundation, October 2, 2012 http:\/\/www.macfound.org\/fellows\/859\/ Cameron Turner, \u201cAgainst Narrative: Uta Barth on Photography, Experience, and Perception\u201d, Precipitate http:\/\/precipitatejournal.com\/archives\/volume-3\/issue-2\/interview-barth\/ Sheryl Conkelton, \u201cUta Barth\u201d, Journal of Contemporary Art, 1996 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