{"id":1119,"date":"2025-09-05T19:47:32","date_gmt":"2025-09-05T19:47:32","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/bernd-hilla-becher\/"},"modified":"2025-09-05T21:10:43","modified_gmt":"2025-09-05T21:10:43","slug":"bernd-hilla-becher","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/bernd-hilla-becher\/","title":{"rendered":"Bernd &amp; Hilla Becher"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Bernd and Hilla Becher on Facebook<a href=\"https:\/\/www.facebook.com\/pages\/Bernd-und-Hilla-Becher\/34322299000\"><\/a><\/h2>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/pages\/Bernd-und-Hilla-Becher\/34322299000\">http:\/\/www.facebook.com\/pages\/Bernd-und-Hilla-Becher\/34322299000<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Cornelius Tittel, \u201cHigh Precision Industrial Age Souvenirs,\u201d Signandsight, February 2005<a href=\"http:\/\/www.signandsight.com\/features\/338.html\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.signandsight.com\/features\/338.html\">http:\/\/www.signandsight.com\/features\/338.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Blake Stimson, \u201cThe Photographic Comportment of Bernd and Hilla Becher,\u201d&nbsp;<em>Tate Papers<\/em>, 2004<a href=\"http:\/\/www.tate.org.uk\/research\/tateresearch\/tatepapers\/04spring\/stimson_paper.htm\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.tate.org.uk\/research\/tateresearch\/tatepapers\/04spring\/stimson_paper.htm\">http:\/\/www.tate.org.uk\/research\/tateresearch\/tatepapers\/04spring\/stimson_paper.htm<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ulf Erdmann Ziegler, \u201cInterview with Bernd and Hilla Becher,\u201d&nbsp;<em>Art in America,<\/em>&nbsp;2002, at American Suburb X<a href=\"http:\/\/www.americansuburbx.com\/2009\/01\/theory-interview-with-bernd-and-hilla.html\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.americansuburbx.com\/2009\/01\/theory-interview-with-bernd-and-hilla.html\">http:\/\/www.americansuburbx.com\/2009\/01\/theory-interview-with-bernd-and-hilla.html<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"426\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Bechers_furnaces.jpg\" alt=\"\" class=\"wp-image-1771\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Bechers_furnaces.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Bechers_furnaces-300x234.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Bernd and Hilla Becher<\/strong>,<em>\u00a0Blast Furnaces<\/em>, 2003. 15 black and white photographs, 68\u00bc x 94\u00bcin. BHB-795. Courtesy Sonnabend Gallery.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Bernd and Hilla Becher on Facebook http:\/\/www.facebook.com\/pages\/Bernd-und-Hilla-Becher\/34322299000 Cornelius Tittel, \u201cHigh Precision Industrial Age Souvenirs,\u201d Signandsight, February 2005 http:\/\/www.signandsight.com\/features\/338.html Blake Stimson, \u201cThe Photographic Comportment of Bernd and Hilla Becher,\u201d&nbsp;Tate Papers, 2004 http:\/\/www.tate.org.uk\/research\/tateresearch\/tatepapers\/04spring\/stimson_paper.htm Ulf Erdmann Ziegler, \u201cInterview with Bernd and Hilla Becher,\u201d&nbsp;Art in America,&nbsp;2002, at American Suburb X http:\/\/www.americansuburbx.com\/2009\/01\/theory-interview-with-bernd-and-hilla.html<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"topic":[8,9,12,14],"class_list":["post-1119","content","type-content","status-publish","hentry","category-uncategorized","topic-landscape","topic-light-shadow","topic-presentation","topic-series-sequence"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1119\/revisions"}],"predecessor-version":[{"id":1772,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1119\/revisions\/1772"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=1119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=1119"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=1119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}