{"id":1188,"date":"2025-09-05T19:47:35","date_gmt":"2025-09-05T19:47:35","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/lygia-clark\/"},"modified":"2025-09-30T08:40:33","modified_gmt":"2025-09-30T08:40:33","slug":"lygia-clark","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/lygia-clark\/","title":{"rendered":"Lygia Clark"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">The world of lygia clark<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.lygiaclark.org.br\/\">http:\/\/www.lygiaclark.org.br\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Simone Osthoff, &#8220;Lygia Clark and Helio Oiticica: A legacy of interactivity and participation for a telematic future,&#8221; leonardo on-line, 1997<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.leonardo.info\/isast\/spec.projects\/osthoff\/osthoff.html\">http:\/\/www.leonardo.info\/isast\/spec.projects\/osthoff\/osthoff.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">exhibition&nbsp;<em>Lygia Clark: The Abandonment of Art, 1948-1988<\/em>, Moma, May 10-August 24, 2014<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.moma.org\/visit\/calendar\/exhibitions\/1462\">http:\/\/www.moma.org\/visit\/calendar\/exhibitions\/1462<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Roberta Smith, &#8220;See Me. Feel Me. Maybe Drool on Me.&#8221; New York Times, May 15, 2014<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.nytimes.com\/2014\/05\/16\/arts\/design\/lygia-clarks-many-twists-and-turns-at-moma.html?_r=0\">http:\/\/www.nytimes.com\/2014\/05\/16\/arts\/design\/lygia-clarks-many-twists-and-turns-at-moma.html?_r=0<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Adrian Searle, &#8220;Lygia Clark at MoMA review &#8211; playing cat&#8217;s cradle at the edge of art,&#8221; The Guardian, May 29, 2014<\/h2>\n\n\n\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2014\/may\/29\/lygia-clark-review-art-moma-new-york\">http:\/\/www.theguardian.com\/artanddesign\/2014\/may\/29\/lygia-clark-review-art-moma-new-york<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Lars BAng Larsen and Suely Rolnik, &#8220;On Lygia Clark&#8217;s Structuring Self,&#8221; Afterall, Spring\/Summer 2007<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.afterall.org\/journal\/issue.15\/lygia.clarks.structuring.self\">http:\/\/www.afterall.org\/journal\/issue.15\/lygia.clarks.structuring.self<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Vivian Rehberg, &#8220;Lygia Clark,&#8221; Frieze, Issue 97, March 2006<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.frieze.com\/issue\/review\/lygia_clark1\/\">http:\/\/www.frieze.com\/issue\/review\/lygia_clark1\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The world of lygia clark http:\/\/www.lygiaclark.org.br\/ Simone Osthoff, &#8220;Lygia Clark and Helio Oiticica: A legacy of interactivity and participation for a telematic future,&#8221; leonardo on-line, 1997 http:\/\/www.leonardo.info\/isast\/spec.projects\/osthoff\/osthoff.html exhibition&nbsp;Lygia Clark: The Abandonment of Art, 1948-1988, Moma, May 10-August 24, 2014 http:\/\/www.moma.org\/visit\/calendar\/exhibitions\/1462 Roberta Smith, &#8220;See Me. Feel Me. Maybe Drool on Me.&#8221; New York Times, May 15, [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"topic":[16],"class_list":["post-1188","content","type-content","status-publish","hentry","category-uncategorized","topic-vision"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1188\/revisions"}],"predecessor-version":[{"id":2050,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1188\/revisions\/2050"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=1188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=1188"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=1188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}