{"id":1209,"date":"2025-09-05T19:47:36","date_gmt":"2025-09-05T19:47:36","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/luc-delahaye\/"},"modified":"2025-09-30T09:12:43","modified_gmt":"2025-09-30T09:12:43","slug":"luc-delahaye","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/luc-delahaye\/","title":{"rendered":"Luc Delahaye"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Luc Delahaye at Galerie Nathalie Obadia<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.galerie-obadia.com\/artist_detail.php?ar=120\">http:\/\/www.galerie-obadia.com\/artist_detail.php?ar=120<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sean O\u2019Hagan, \u201cLuc Delayahe turns war photography into an uncomfortable art,\u201d The Guaridan, August 2011<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2011\/aug\/09\/luc-delahaye-war-photography-art\">http:\/\/www.guardian.co.uk\/artanddesign\/2011\/aug\/09\/luc-delahaye-war-photography-art<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Manuel cirauqui, &#8220;luc delahaye&#8221;, frieze magazine, May 2011<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.frieze.com\/issue\/review\/luc-delahaye\/\">http:\/\/www.frieze.com\/issue\/review\/luc-delahaye\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">paul b. franklin, &#8220;Luc delahaye&#8221;, art in america, May 13, 2011<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.artinamericamagazine.com\/reviews\/luc-delahaye\/\">http:\/\/www.artinamericamagazine.com\/reviews\/luc-delahaye\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Recent History: Photographs by Luc Delahaye&nbsp;<\/em>Exhibition, The J. Paul Getty Museum, 2007<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.getty.edu\/art\/exhibitions\/delahaye\/\">http:\/\/www.getty.edu\/art\/exhibitions\/delahaye\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Joerg Colberg, A Conversation with Luc Delahaye, 2007<\/h2>\n\n\n\n<p><a href=\"http:\/\/jmcolberg.com\/weblog\/extended\/archives\/a_conversation_with_luc_delahaye\/\">http:\/\/jmcolberg.com\/weblog\/extended\/archives\/a_conversation_with_luc_delahaye\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Roger Richards, View from the Photo Desk: Luc Delahaye\u201d, The Digital Journalist, August 2004<\/h2>\n\n\n\n<p><a href=\"http:\/\/digitaljournalist.org\/issue0408\/richards.html\">http:\/\/digitaljournalist.org\/issue0408\/richards.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Michael Kimmelman, \u201cThe Gaze Turns Outward and Sees Estrangement\u201d, The New York Times, September 19, 2003<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.nytimes.com\/2003\/09\/19\/arts\/photography-review-the-gaze-turns-outward-and-sees-estrangement.html?pagewanted=all&amp;src=pm\">http:\/\/www.nytimes.com\/2003\/09\/19\/arts\/photography-review-the-gaze-turns-outward-and-sees-estrangement.html?pagewanted=all&amp;src=pm<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bill Sullivan, \u201cThe Real Thing: Photographer Luc Delahaye,\u201d on ARTNET, 2003<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.artnet.com\/magazine\/features\/sullivan\/sullivan4-10-03.asp\">http:\/\/www.artnet.com\/magazine\/features\/sullivan\/sullivan4-10-03.asp<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"327\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_A-Mass-Grave-Near-Snagovo-Bosnia.jpg\" alt=\"\" class=\"wp-image-2104\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_A-Mass-Grave-Near-Snagovo-Bosnia.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_A-Mass-Grave-Near-Snagovo-Bosnia-300x180.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Luc Delahaye<\/strong>,\u00a0\u00a0<em>A Mass Grave Near Snagovo, Bosnia (2006)<\/em>,\u00a0<strong>\u00a0<\/strong>Digital C-print, 300 cm x 180 cm<em>.<\/em><br>Courtesy Luc Delahaye &amp; Galerie Nathalie Obadia, Paris\/Brussels.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"349\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Les-Bois-de-Calais.jpg\" alt=\"\" class=\"wp-image-2105\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Les-Bois-de-Calais.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Les-Bois-de-Calais-300x192.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Luc Delahaye<\/strong>,\u00a0<em>Les Bois de Calais (2007)<\/em>, Digital C-print, 281 cm x 180 cm<em>.<br><\/em>Courtesy Luc Delahaye &amp; Galerie Nathalie Obadia, Paris\/Brussels.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"387\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Karni-Crossing-Demo.jpg\" alt=\"\" class=\"wp-image-2107\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Karni-Crossing-Demo.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Karni-Crossing-Demo-300x213.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Luc Delahaye<\/strong>,\u00a0<em><strong>Karni Crossing Demo (2008)<\/strong><\/em>, Digital C-print, 296 cm x 210,4 cm<em>.<br><\/em>Courtesy Luc Delahaye &amp; Galerie Nathalie Obadia, Paris\/Brussels.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"495\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Patio-civil-cementero-San-Rafael-Malaga.jpg\" alt=\"\" class=\"wp-image-2108\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Patio-civil-cementero-San-Rafael-Malaga.jpg 495w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Patio-civil-cementero-San-Rafael-Malaga-248x300.jpg 248w\" sizes=\"auto, (max-width: 495px) 100vw, 495px\" \/><figcaption class=\"wp-element-caption\"><strong>Luc Delahaye<\/strong>,\u00a0<em>Patio civil, cementerio San Rafael, M\u00e1laga (2009)<\/em>, Digital C-print, 207,1 cm x 251 cm<em>.<br><\/em>Courtesy Luc Delahaye &amp; Galerie Nathalie Obadia, Paris\/Brussels.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"393\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Les-Pillards.jpg\" alt=\"\" class=\"wp-image-2109\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Les-Pillards.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_Les-Pillards-300x216.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Luc Delahaye<\/strong>,\u00a0<em>Les Pillards (2010)<\/em>, Digital C-print, 220 cm x 158,6<em>.<br><\/em>Courtesy Luc Delahaye &amp; Galerie Nathalie Obadia, Paris\/Brussels.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"373\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_A-Worker-Outside-the-US-Army-Korengal-Outpost-Afghanistan.jpg\" alt=\"\" class=\"wp-image-2110\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_A-Worker-Outside-the-US-Army-Korengal-Outpost-Afghanistan.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/delahaye_A-Worker-Outside-the-US-Army-Korengal-Outpost-Afghanistan-300x205.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Luc Delahaye<\/strong>,\u00a0<em>A Worker Outside the US Army Korengal Outpost, Afghanistan (2010)<\/em>, Digital C-print, 240 cm x 164,2 cm<em>.<br><\/em>Courtesy Luc Delahaye &amp; Galerie Nathalie Obadia, Paris\/Brussels.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Luc Delahaye at Galerie Nathalie Obadia http:\/\/www.galerie-obadia.com\/artist_detail.php?ar=120 Sean O\u2019Hagan, \u201cLuc Delayahe turns war photography into an uncomfortable art,\u201d The Guaridan, August 2011 http:\/\/www.guardian.co.uk\/artanddesign\/2011\/aug\/09\/luc-delahaye-war-photography-art Manuel cirauqui, &#8220;luc delahaye&#8221;, frieze magazine, May 2011 http:\/\/www.frieze.com\/issue\/review\/luc-delahaye\/ paul b. franklin, &#8220;Luc delahaye&#8221;, art in america, May 13, 2011 http:\/\/www.artinamericamagazine.com\/reviews\/luc-delahaye\/ Recent History: Photographs by Luc Delahaye&nbsp;Exhibition, The J. Paul Getty Museum, [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"topic":[6,13],"class_list":["post-1209","content","type-content","status-publish","hentry","category-uncategorized","topic-documentary-style","topic-reproductive-processes"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1209\/revisions"}],"predecessor-version":[{"id":2111,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1209\/revisions\/2111"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=1209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=1209"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=1209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}