{"id":1218,"date":"2025-09-05T19:47:36","date_gmt":"2025-09-05T19:47:36","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/rineke-dijkstra\/"},"modified":"2025-09-30T09:51:25","modified_gmt":"2025-09-30T09:51:25","slug":"rineke-dijkstra","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/rineke-dijkstra\/","title":{"rendered":"Rineke Dijkstra"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Rineke Dijkstra at Marian Goodman Gallery<a href=\"http:\/\/www.rinekedijkstra.net\/\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.mariangoodman.com\/artists\/rineke-dijkstra\/\">http:\/\/www.mariangoodman.com\/artists\/rineke-dijkstra\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Rineke Dijkstra interview on PopPhoto<a href=\"http:\/\/www.popphoto.com\/Features\/A-Conversation-with-Rineke-Dijkstra\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.popphoto.com\/Features\/A-Conversation-with-Rineke-Dijkstra\">http:\/\/www.popphoto.com\/Features\/A-Conversation-with-Rineke-Dijkstra<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Rineke Dijkstra Facebook page<a href=\"https:\/\/www.facebook.com\/pages\/Rineke-Dijkstra\/35470314612\"><\/a><\/h2>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/pages\/Rineke-Dijkstra\/35470314612\">http:\/\/www.facebook.com\/pages\/Rineke-Dijkstra\/35470314612<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Roberta Smith, \u201cA Return to Video is Moving,\u201d The New York Times, August 12, 2010<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.nytimes.com\/2010\/08\/13\/arts\/design\/13dijkstra.html\">http:\/\/www.nytimes.com\/2010\/08\/13\/arts\/design\/13dijkstra.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Rineke Dijkstra. Video about<em>&nbsp;Almerisa, Asylum Center, Leiden, The Netherlands<\/em>. March \u2026 . as part of&nbsp;<em>Pictures by Women: A History of Modern Photography<\/em>&nbsp;Exhibition at MoMA Multimedia.<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.moma.org\/visit\/calendar\/exhibitions\/1041\">http:\/\/www.moma.org\/visit\/calendar\/exhibitions\/1041<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Julie L. Belcove, &#8220;Rineke Dijkstra&#8217;s American Moment,&#8221; ELLE, May 2, 2012.<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.elle.com\/Life-Love\/Entertaining-Design\/Rineke-Dijkstra-s-American-Moment\">http:\/\/www.elle.com\/Life-Love\/Entertaining-Design\/Rineke-Dijkstra-s-American-Moment<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">&#8220;Rineke Dijkstra: A Retrospective&#8221;, Gallery Video Exploration, SFMoMA, April 2012<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.sfmoma.org\/explore\/multimedia\/podcast\/150\">http:\/\/www.sfmoma.org\/explore\/multimedia\/podcast\/150<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Patricia Maloney, &#8220;Interview with Rineke Dijkstra&#8221;, Art Practical, March 2012<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.artpractical.com\/feature\/interview_with_rineke_dijkstra\/\">http:\/\/www.artpractical.com\/feature\/interview_with_rineke_dijkstra\/<\/a><\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dijkstra_11180.jpg\" width=\"481\" height=\"600\"><br><strong>Rineke Dijkstra<\/strong>.&nbsp;<em>Tecla, Amsterdam, Netherlands<\/em>. Chromogenic color print, 60\u00bc x 50\u00bein. 1994. Courtesy of the artist and Marian Goodman Gallery, New York.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rineke Dijkstra at Marian Goodman Gallery http:\/\/www.mariangoodman.com\/artists\/rineke-dijkstra\/ Rineke Dijkstra interview on PopPhoto http:\/\/www.popphoto.com\/Features\/A-Conversation-with-Rineke-Dijkstra Rineke Dijkstra Facebook page http:\/\/www.facebook.com\/pages\/Rineke-Dijkstra\/35470314612 Roberta Smith, \u201cA Return to Video is Moving,\u201d The New York Times, August 12, 2010 http:\/\/www.nytimes.com\/2010\/08\/13\/arts\/design\/13dijkstra.html Rineke Dijkstra. Video about&nbsp;Almerisa, Asylum Center, Leiden, The Netherlands. March \u2026 . as part of&nbsp;Pictures by Women: A History of Modern [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"topic":[9,11],"class_list":["post-1218","content","type-content","status-publish","hentry","category-uncategorized","topic-light-shadow","topic-portraiture"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1218\/revisions"}],"predecessor-version":[{"id":2126,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1218\/revisions\/2126"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=1218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=1218"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=1218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}