{"id":1220,"date":"2025-09-05T19:47:37","date_gmt":"2025-09-05T19:47:37","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/christophe-dillinger\/"},"modified":"2025-09-30T09:53:13","modified_gmt":"2025-09-30T09:53:13","slug":"christophe-dillinger","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/christophe-dillinger\/","title":{"rendered":"Christophe Dillinger"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Christophe Dillinger\u2019s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.cdillinger.co.uk\/\">www.cdillinger.co.uk<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">No Undo, Film about the experimental photography of Christophe Dillinger<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.racollaborations.moonfruit.com\/#\/no-undo\/4557290989\">http:\/\/www.racollaborations.moonfruit.com\/#\/no-undo\/4557290989<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Christophe Dillinger Interview at Fotofilia, January 2011<\/h2>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=B5z9Yg7yWZo\">http:\/\/www.youtube.com\/watch?v=B5z9Yg7yWZo<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Square Magazine<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.squaremag.org\/\">http:\/\/www.squaremag.org\/<\/a><\/p>\n\n\n\n<p><em>I used to actually teach Photoshop. I decided one day to try and do whatever I taught &#8220;for real&#8221; so to speak<\/em><em>. It takes me forever, but I find that getting my hands dirty with pigments, glue and ink is<\/em><em>&nbsp;more enjoyable and, in a way, truer to the nature of photography.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Christophe Dillinger,&nbsp;<em>acetate<\/em><\/h2>\n\n\n\n<p><em>I place pre-cut pieces of coloured acetates on negatives before scanning them.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_acetate_coat032.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_acetate_dbubbles029.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_acetate_uni034.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Christophe Dillinger,&nbsp;<em>analogue cut and paste<\/em><\/h2>\n\n\n\n<p><em>I physically cut negatives and glue them together with sticky tape.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_analogue_bords%20de%20mer144.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_analogue_space%20ship%201024.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_analogue_switchover%2001.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Christophe Dillinger,&nbsp;<em>typewriter<\/em><\/h2>\n\n\n\n<p><em>I place processed negatives through a second-hand typewriter and type on them using a black ribbon or corrective ribbon like Ty-pex.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_type_enjoy%20sex.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_type_Isatthere.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_type_love%20me%20please.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Christophe Dillinger,&nbsp;<em>swirls<\/em><\/h2>\n\n\n\n<p><em>I paint and mark strips of paper that I stick on 120 films in a lightproof bag. I then use the modified film as I would ordinary film, only I do the light metering with a 1 to 3 stops discrepancy, depending on the paper I use.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_swirls_Alison1024.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_swirls_Daisy173.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/dillinger_swirls_kirsty%20swirls097.jpg\" alt=\"\"\/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Christophe Dillinger\u2019s website www.cdillinger.co.uk No Undo, Film about the experimental photography of Christophe Dillinger http:\/\/www.racollaborations.moonfruit.com\/#\/no-undo\/4557290989 Christophe Dillinger Interview at Fotofilia, January 2011 http:\/\/www.youtube.com\/watch?v=B5z9Yg7yWZo Square Magazine http:\/\/www.squaremag.org\/ I used to actually teach Photoshop. I decided one day to try and do whatever I taught &#8220;for real&#8221; so to speak. It takes me forever, but I find [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"topic":[7,13,17,16],"class_list":["post-1220","content","type-content","status-publish","hentry","category-uncategorized","topic-editing","topic-reproductive-processes","topic-text","topic-vision"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1220\/revisions"}],"predecessor-version":[{"id":2128,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1220\/revisions\/2128"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=1220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=1220"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=1220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}