{"id":1244,"date":"2025-09-05T19:47:37","date_gmt":"2025-09-05T19:47:37","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/roe-ethridge\/"},"modified":"2025-09-30T10:15:04","modified_gmt":"2025-09-30T10:15:04","slug":"roe-ethridge","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/roe-ethridge\/","title":{"rendered":"Roe Ethridge"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">roe ethridge website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.roeethridge.com\/\">http:\/\/www.roeethridge.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Roe Ethridge at Gagosian Gallery<\/h2>\n\n\n\n<p><a href=\"https:\/\/gagosian.com\/artists\/roe-ethridge\">https:\/\/gagosian.com\/artists\/roe-ethridge<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ROE ETHRIDGE AT andrew kreps gallery<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/www.andrewkreps.com\/artists\/roe-ethridge\">http:\/\/www.andrewkreps.com\/artists\/roe-ethridge<\/a><\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">clara malley, &#8220;Roe ethridge embraces discordance in a post-truth world,&#8221; document journal, january 25, 2019<\/h2>\n\n\n\n<p><a href=\"https:\/\/www.documentjournal.com\/2019\/01\/roe-ethridge-embraces-discordance-in-a-post-truth-world\">https:\/\/www.documentjournal.com\/2019\/01\/roe-ethridge-embraces-discordance-in-a-post-truth-world<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">david campany, &#8220;roe ethridge on getting it exactly wrong,&#8221;&nbsp;<em>aperture<\/em>, January 15, 2019<\/h2>\n\n\n\n<p><a href=\"https:\/\/aperture.org\/blog\/roe-ethridge-david-campany\">https:\/\/aperture.org\/blog\/roe-ethridge-david-campany<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Roe Ethridge, Interactive Exhibitions,&nbsp;<em>New Photography 2010<\/em>, MoMA<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.moma.org\/interactives\/exhibitions\/2010\/newphotography\/roe-ethridge\/\">http:\/\/www.moma.org\/interactives\/exhibitions\/2010\/newphotography\/roe-ethridge\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Roe Ethridge Interview, The Vice Photo Book, July 2010<\/h2>\n\n\n\n<p><a href=\"https:\/\/www.vice.com\/en_au\/article\/yvnaqw\/an-interview-with-roe-ethridge\">https:\/\/www.vice.com\/en_au\/article\/yvnaqw\/an-interview-with-roe-ethridge<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>roe ethridge website http:\/\/www.roeethridge.com\/ Roe Ethridge at Gagosian Gallery https:\/\/gagosian.com\/artists\/roe-ethridge ROE ETHRIDGE AT andrew kreps gallery http:\/\/www.andrewkreps.com\/artists\/roe-ethridge clara malley, &#8220;Roe ethridge embraces discordance in a post-truth world,&#8221; document journal, january 25, 2019 https:\/\/www.documentjournal.com\/2019\/01\/roe-ethridge-embraces-discordance-in-a-post-truth-world david campany, &#8220;roe ethridge on getting it exactly wrong,&#8221;&nbsp;aperture, January 15, 2019 https:\/\/aperture.org\/blog\/roe-ethridge-david-campany Roe Ethridge, Interactive Exhibitions,&nbsp;New Photography 2010, MoMA http:\/\/www.moma.org\/interactives\/exhibitions\/2010\/newphotography\/roe-ethridge\/ Roe [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"topic":[12,13],"class_list":["post-1244","content","type-content","status-publish","hentry","category-uncategorized","topic-presentation","topic-reproductive-processes"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1244\/revisions"}],"predecessor-version":[{"id":2159,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1244\/revisions\/2159"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=1244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=1244"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=1244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}