{"id":1253,"date":"2025-09-05T19:47:37","date_gmt":"2025-09-05T19:47:37","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/hans-peter-feldmann\/"},"modified":"2025-09-30T10:21:50","modified_gmt":"2025-09-30T10:21:50","slug":"hans-peter-feldmann","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/hans-peter-feldmann\/","title":{"rendered":"Hans-Peter Feldmann"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Hans-Peter Feldmann at 303 Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.303gallery.com\/artists\/hans-peter_feldmann\/\">http:\/\/www.303gallery.com\/artists\/hans-peter_feldmann\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Hans-Peter Feldmann at Peter Lee Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.simonleegallery.com\/Artists\/Hans-Peter-Feldmann\/Selected_Works\">http:\/\/www.simonleegallery.com\/Artists\/Hans-Peter-Feldmann\/Selected_Works<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Hans-Peter Feldmann at Galerie Micheline Szwajcer<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.gms.be\/index.php?content=artist_detail&amp;id_artist=51\">http:\/\/www.gms.be\/index.php?content=artist_detail&amp;id_artist=51<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Charles Darwent, \u201cHans-Peter Feldmann, Serpentine Gallery, London\u201d, The Independent, April 15, 2012<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/art\/reviews\/hanspeter-feldmann-sepentine-gallery-london-7645748.html\">http:\/\/www.independent.co.uk\/arts-entertainment\/art\/reviews\/hanspeter-feldmann-sepentine-gallery-london-7645748.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Hans-Peter Feldmann in conversation with Hans Ulrich Obrist, Serpentine Gallery, April 24, 2012<\/h2>\n\n\n\n<p><a href=\"https:\/\/vimeo.com\/41972176\">http:\/\/vimeo.com\/41972176<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sam Cate-Gumpert, \u201cWry Photo-trickster Hans-Peter Feldmann looks beyond the camera at a new 303 Gallery show,\u201d Capital, March 1, 2012<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.capitalnewyork.com\/article\/culture\/2012\/03\/5373879\/wry-photo-trickster-hans-peter-feldmann-looks-beyond-camera-new-303-\">http:\/\/www.capitalnewyork.com\/article\/culture\/2012\/03\/5373879\/wry-photo-trickster-hans-peter-feldmann-looks-beyond-camera-new-303-<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Selina Ting, \u201cInterview: Hans-Petre Feldmann\u201d, InitiArt Magazine, 2011<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.initiartmagazine.com\/interview.php?IVarchive=33\">http:\/\/www.initiartmagazine.com\/interview.php?IVarchive=33<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Timothee Chaillou, \u201cInterview with Hans-Peter Feldmann\u201d, HART, 2011<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.kunsthart.org\/nl\/21\/40\/interview-with-hans-peter-feldmann.aspx\">http:\/\/www.kunsthart.org\/nl\/21\/40\/interview-with-hans-peter-feldmann.aspx<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Karen Rosenberg, \u201cSpendable Art That\u2019s Not for Sale\u201d, The New York Times, June 2, 2011<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.nytimes.com\/2011\/06\/03\/arts\/design\/hans-peter-feldmann-at-the-guggenheim-review.html\">http:\/\/www.nytimes.com\/2011\/06\/03\/arts\/design\/hans-peter-feldmann-at-the-guggenheim-review.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Mark Alice Durant, \u201cHans-Peter Feldmann: In the Paradise of the Ordinary,\u201d Saint Lucy, Summer 2011<\/h2>\n\n\n\n<p><a href=\"http:\/\/saint-lucy.com\/essays\/hans-peter-feldmann\/\">http:\/\/saint-lucy.com\/essays\/hans-peter-feldmann\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Hans-Peter Feldmann<\/em>&nbsp;Exhibition, Serpentine Gallery, April 11 \u2013 June 4, 2012<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.serpentinegallery.org\/2012\/04\/hans_peter_feldmann.html\">http:\/\/www.serpentinegallery.org\/2012\/04\/hans_peter_feldmann.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Hans-Peter Feldmann: 100 Years, MoMA PS1, 2004-2005<\/h2>\n\n\n\n<p><a href=\"http:\/\/momaps1.org\/exhibitions\/view\/83\">http:\/\/momaps1.org\/exhibitions\/view\/83<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Kaspar Konig and Hans-Peter Feldmann in Conversation, Frieze Magazine, May 2005<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.frieze.com\/issue\/article\/hans-peter-feldmann\/\">http:\/\/www.frieze.com\/issue\/article\/hans-peter-feldmann\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Catrin Lorch, \u201cHans-Peter Feldman\u201d, Frieze Magazine, June-August 2003<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.frieze.com\/issue\/review\/hans_peter_feldmann1\/\">http:\/\/www.frieze.com\/issue\/review\/hans_peter_feldmann1\/<\/a><\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/feldman_lovers_2008.jpg\" width=\"420\" height=\"600\"><br><strong>Hans-Peter Feldmann<\/strong>,&nbsp;<em>Lovers<\/em>, 2008, cut photograph, 16 1\/2 x 11 3\/4 inches, Variation 2.<br>Image courtesy of 303 Gallery.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/feldman_shadowplay_2005.jpg\" width=\"545\" height=\"409\"><br><strong>Hans-Peter Feldmann<\/strong>,&nbsp;<em>Shadowplay<\/em>, 2005, installation.<br>Image courtesy of 303 Gallery.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/feldman_shadowplay_detail.jpg\" width=\"545\" height=\"409\"><br><strong>Hans-Peter Feldmann<\/strong>,&nbsp;<em>Shadowplay<\/em>, 2005, installation detail.<br>Image courtesy of 303 Gallery.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/feldman_radios_2004.jpg\" width=\"545\" height=\"409\"><br><strong>Hans-Peter Feldmann<\/strong>,&nbsp;<em>Pictures of car radios taken while good music was playing<\/em>, 2004, black and white and color photographs, dimensions variable. Image courtesy of 303 Gallery.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/feldman_sunset_2004.jpg\" width=\"545\" height=\"369\"><br><strong>Hans-Peter Feldmann<\/strong>,&nbsp;<em>Sunset<\/em>, 2004, 9 color xeroxes, 7 x 10 inches each.<br>Image courtesy of 303 Gallery.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hans-Peter Feldmann at 303 Gallery http:\/\/www.303gallery.com\/artists\/hans-peter_feldmann\/ Hans-Peter Feldmann at Peter Lee Gallery http:\/\/www.simonleegallery.com\/Artists\/Hans-Peter-Feldmann\/Selected_Works Hans-Peter Feldmann at Galerie Micheline Szwajcer http:\/\/www.gms.be\/index.php?content=artist_detail&amp;id_artist=51 Charles Darwent, \u201cHans-Peter Feldmann, Serpentine Gallery, London\u201d, The Independent, April 15, 2012 http:\/\/www.independent.co.uk\/arts-entertainment\/art\/reviews\/hanspeter-feldmann-sepentine-gallery-london-7645748.html Hans-Peter Feldmann in conversation with Hans Ulrich Obrist, Serpentine Gallery, April 24, 2012 http:\/\/vimeo.com\/41972176 Sam Cate-Gumpert, \u201cWry Photo-trickster Hans-Peter Feldmann looks beyond [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"topic":[13,14],"class_list":["post-1253","content","type-content","status-publish","hentry","category-uncategorized","topic-reproductive-processes","topic-series-sequence"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1253\/revisions"}],"predecessor-version":[{"id":2168,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1253\/revisions\/2168"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=1253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=1253"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=1253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}