{"id":1372,"date":"2025-09-05T19:47:42","date_gmt":"2025-09-05T19:47:42","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/atta-kim\/"},"modified":"2025-09-30T13:07:05","modified_gmt":"2025-09-30T13:07:05","slug":"atta-kim","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/atta-kim\/","title":{"rendered":"Atta Kim"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Atta Kim\u2019s website<a href=\"http:\/\/www.attakim.com\/main.html\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.attakim.com\/main.html\">http:\/\/www.attakim.com\/main.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Atta Kim: on\u2013air<\/em>&nbsp;Exhibition, International Center of Photography, 2006<a href=\"http:\/\/www.icp.org\/site\/c.dnJGKJNsFqG\/b.1706759\/k.9A54\/Atta_Kim_OnAir.htm\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.icp.org\/site\/c.dnJGKJNsFqG\/b.1706759\/k.9A54\/Atta_Kim_OnAir.htm\">http:\/\/www.icp.org\/site\/c.dnJGKJNsFqG\/b.1706759\/k.9A54\/Atta_Kim_OnAir.htm<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Atta Kim at Yossi Milo Gallery<a href=\"http:\/\/www.yossimilogallery.com\/artists\/atta_kim\/?show=0#title\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.yossimilogallery.com\/artists\/atta_kim\/?show=0#title\">http:\/\/www.yossimilogallery.com\/artists\/atta_kim\/?show=0#title<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Holland Cotter, \u201cIn Atta Kim\u2019s Long-Exposure Photographs, Real Time is the Most Surreal of All,\u201d Art &amp; Design,&nbsp;<em>The New York Times<\/em>, July 12, 2006<a href=\"http:\/\/www.nytimes.com\/2006\/07\/12\/arts\/design\/12atta.html\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.nytimes.com\/2006\/07\/12\/arts\/design\/12atta.html\">http:\/\/www.nytimes.com\/2006\/07\/12\/arts\/design\/12atta.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Lee Joon, \u201cAtta Kim: Paradoxical Aesthetics of Existence,\u201d Art in Asia<a href=\"http:\/\/www.artinasia.kr\/content\/view\/35\/33\/\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.artinasia.kr\/content\/view\/35\/33\/\">http:\/\/www.artinasia.kr\/content\/view\/35\/33\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Atta Kim,&nbsp;<em>ON-AIR Project<\/em><\/h2>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/kim_atta.jpg\" width=\"545\" height=\"411\"><strong>Atta Kim<\/strong>,&nbsp;<em>ON-AIR Project<\/em>,&nbsp;<em>New York Series, 57th Street, 8 Hours<\/em>. 2005. C-print. Yossi Milo Gallery. \u00a9 Atta Kim, \u201cNew York\u201d series, 2005.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/kim_atta_8hr.jpg\" width=\"545\" height=\"407\"><br><strong>Atta Kim<\/strong>,&nbsp;<em>ON-AIR Project<\/em>,<em>&nbsp;8 Hours<\/em>. C-print. \u00a9 Atta Kim.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/Kim_Atta_DMZ_On-AIR.jpg\" width=\"545\" height=\"420\"><br><strong>Atta Kim<\/strong>,&nbsp;<em>ON-AIR Project<\/em>,<em>&nbsp;DMZ Series, The Central Front, 8 Hours<\/em>, 2004. C-print. \u00a9 Atta Kim.<\/p>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.routledge.com\/reframingphotography\/files\/user\/kim_atta_indala.jpg\" width=\"545\" height=\"361\"><br><strong>Atta Kim<\/strong>,&nbsp;<em>ON-AIR Project<\/em>,<em>&nbsp;Indala<\/em>. C-print. \u00a9 Atta Kim.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Atta Kim\u2019s website http:\/\/www.attakim.com\/main.html Atta Kim: on\u2013air&nbsp;Exhibition, International Center of Photography, 2006 http:\/\/www.icp.org\/site\/c.dnJGKJNsFqG\/b.1706759\/k.9A54\/Atta_Kim_OnAir.htm Atta Kim at Yossi Milo Gallery http:\/\/www.yossimilogallery.com\/artists\/atta_kim\/?show=0#title Holland Cotter, \u201cIn Atta Kim\u2019s Long-Exposure Photographs, Real Time is the Most Surreal of All,\u201d Art &amp; Design,&nbsp;The New York Times, July 12, 2006 http:\/\/www.nytimes.com\/2006\/07\/12\/arts\/design\/12atta.html Lee Joon, \u201cAtta Kim: Paradoxical Aesthetics of Existence,\u201d Art in [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"topic":[8,9,14,16],"class_list":["post-1372","content","type-content","status-publish","hentry","category-uncategorized","topic-landscape","topic-light-shadow","topic-series-sequence","topic-vision"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1372\/revisions"}],"predecessor-version":[{"id":2341,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1372\/revisions\/2341"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=1372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=1372"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=1372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}