{"id":1576,"date":"2025-09-05T19:47:49","date_gmt":"2025-09-05T19:47:49","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/travess-smalley\/"},"modified":"2025-10-01T11:29:45","modified_gmt":"2025-10-01T11:29:45","slug":"travess-smalley","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/travess-smalley\/","title":{"rendered":"Travess Smalley"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">TRAVESS SMALLEY\u2019S WEBSITE<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.travesssmalley.com\/\">http:\/\/www.travesssmalley.com\/<\/a>&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">PHILIP GEFTER, \u201cTHE NEXT BIG PICTURE,\u201d THE NEW YORK TIMES, JANUARY 23, 2014<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.nytimes.com\/2014\/01\/26\/arts\/design\/with-cameras-optional-new-directions-in-photography.html?_r=0\">http:\/\/www.nytimes.com\/2014\/01\/26\/arts\/design\/with-cameras-optional-new-directions-in-photography.html?_r=0<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">LORENZO DURANTINI, \u201cON TRAVESS SMALLEY\u2019S CAPTURE PHYSICAL PRESENCE,\u201d APERTURE, MAY 28, 2013<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.aperture.org\/blog\/on-travess-smalleys-capture-physical-presence\/\">http:\/\/www.aperture.org\/blog\/on-travess-smalleys-capture-physical-presence\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ROZALIA JOVANOVIC, \u201c \u2018EMERGING: TRAVESS SMALLEY\u2019S COLLAGES SURF A DIGITAL \u201cFEEDBACK LOOP\u2019 \u201c, BLOUIN ARTINFO, MAY 6, 2013<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.blouinartinfo.com\/news\/story\/910752\/emerging-travess-smalleys-collages-surf-a-digital-feedback\">http:\/\/www.blouinartinfo.com\/news\/story\/910752\/emerging-travess-smalleys-collages-surf-a-digital-feedback<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">\u201cCONVERSATION WITH TRAVESS SMALLEY\u201d, \u00c9TUDES, OCTOBER 13, 2012<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.etudes-studio.com\/conversation-with-travess-smalley\/\">http:\/\/www.etudes-studio.com\/conversation-with-travess-smalley\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">\u201cTRAVESS SMALLEY STUDIO VISIT\u201d, POST NEW<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/post-new.com\/#feature=node\/809\">http:\/\/post-new.com\/#feature=node\/809<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ROBIN PECKHAM, \u201cTRAVESS SMALLEY: PHYSICAL MEDIUM, DIGITAL TRADITION\u201d, DIGICULT<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.digicult.it\/news\/travess-smalley-physical-medium-digital-tradition\/\">http:\/\/www.digicult.it\/news\/travess-smalley-physical-medium-digital-tradition\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">PREPARED SCANNER \u2013 COMPOSITIONS IN CLAY, RHIZOME<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/rhizome.org\/commissions\/proposal\/2582\/\">http:\/\/rhizome.org\/commissions\/proposal\/2582\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">TRAVESS SMALLEY AT HIGHER PICTURES<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.higherpictures.com\/artists\/Travess_Smalley\/\">http:\/\/www.higherpictures.com\/artists\/Travess_Smalley\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/smalley_ComputerGraphiconVinyl_VectorWeave_Scan92_2013_uvprintonstretchedvinyl_60x43.5in.jpg\" alt=\"\" class=\"wp-image-2580\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/smalley_ComputerGraphiconVinyl_VectorWeave_Scan92_2013_uvprintonstretchedvinyl_60x43.5in.jpg 450w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/smalley_ComputerGraphiconVinyl_VectorWeave_Scan92_2013_uvprintonstretchedvinyl_60x43.5in-225x300.jpg 225w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption class=\"wp-element-caption\"><strong>Travess Smalley<\/strong>,\u00a0<em>Computer Graphic on Vinyl, Vector Weave, Scan #92<\/em>, 2013, uv print on stretched vinyl, 60 x 43.5 in.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"464\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Smalley_PreparedScanner_-aCompositioninClay_2012.jpg\" alt=\"\" class=\"wp-image-2581\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Smalley_PreparedScanner_-aCompositioninClay_2012.jpg 464w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Smalley_PreparedScanner_-aCompositioninClay_2012-232x300.jpg 232w\" sizes=\"auto, (max-width: 464px) 100vw, 464px\" \/><figcaption class=\"wp-element-caption\"><strong>Travess Smalley<\/strong>,<em>\u00a0Prepared Scanner, a Composition in Clay<\/em>, 2012<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"434\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/smalley_CapturePhysicalPresence33_2011Photomontage_pigmentprint46x33inchesunique.jpg\" alt=\"\" class=\"wp-image-2582\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/smalley_CapturePhysicalPresence33_2011Photomontage_pigmentprint46x33inchesunique.jpg 434w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/smalley_CapturePhysicalPresence33_2011Photomontage_pigmentprint46x33inchesunique-217x300.jpg 217w\" sizes=\"auto, (max-width: 434px) 100vw, 434px\" \/><figcaption class=\"wp-element-caption\"><strong>Travess Smalley<\/strong>,<em>\u00a0Capture Physical Presence #33<\/em>, 2011, Photomontage, pigment print, 46 \u00be x 33 \u00be inches, unique<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>TRAVESS SMALLEY\u2019S WEBSITE http:\/\/www.travesssmalley.com\/&nbsp; PHILIP GEFTER, \u201cTHE NEXT BIG PICTURE,\u201d THE NEW YORK TIMES, JANUARY 23, 2014 http:\/\/www.nytimes.com\/2014\/01\/26\/arts\/design\/with-cameras-optional-new-directions-in-photography.html?_r=0 LORENZO DURANTINI, \u201cON TRAVESS SMALLEY\u2019S CAPTURE PHYSICAL PRESENCE,\u201d APERTURE, MAY 28, 2013 http:\/\/www.aperture.org\/blog\/on-travess-smalleys-capture-physical-presence\/ ROZALIA JOVANOVIC, \u201c \u2018EMERGING: TRAVESS SMALLEY\u2019S COLLAGES SURF A DIGITAL \u201cFEEDBACK LOOP\u2019 \u201c, BLOUIN ARTINFO, MAY 6, 2013 http:\/\/www.blouinartinfo.com\/news\/story\/910752\/emerging-travess-smalleys-collages-surf-a-digital-feedback \u201cCONVERSATION WITH TRAVESS SMALLEY\u201d, \u00c9TUDES, [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"topic":[7,13,16],"class_list":["post-1576","content","type-content","status-publish","hentry","category-uncategorized","topic-editing","topic-reproductive-processes","topic-vision"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"TRAVESS 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