{"id":1593,"date":"2025-09-05T19:47:50","date_gmt":"2025-09-05T19:47:50","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/thomas-struth\/"},"modified":"2025-10-01T12:40:28","modified_gmt":"2025-10-01T12:40:28","slug":"thomas-struth","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/thomas-struth\/","title":{"rendered":"Thomas Struth"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Thomas Struth, Virtual Exhibition Tour<\/h2>\n\n\n\n<p><a href=\"http:\/\/thomasstruth25.com\/index.htm\">http:\/\/thomasstruth25.com\/index.htm<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Thomas Struth at Marian Goodman Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.mariangoodman.com\/artists\/thomas-struth\/\">http:\/\/www.mariangoodman.com\/artists\/thomas-struth\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Thomas Struth at Galerie Max Hetzler<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.maxhetzler.com\/index.php?id=1035\">http:\/\/www.maxhetzler.com\/index.php?id=1035<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Thomas Struth<\/em>&nbsp;Exhibition, The Metropolitan Museum of Art<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.metmuseum.org\/about-the-museum\/press-room\/exhibitions\/2002\/thomas-struth\">http:\/\/www.metmuseum.org\/about-the-museum\/press-room\/exhibitions\/2002\/thomas-struth<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Janet Malcolm, \u201cDepth of Field: Thomas Struth\u2019s Way of Seeing\u201d, The New Yorker, September 26, 2011<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.newyorker.com\/reporting\/2011\/09\/26\/110926fa_fact_malcolm\">http:\/\/www.newyorker.com\/reporting\/2011\/09\/26\/110926fa_fact_malcolm<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sean O\u2019Hagan, \u201cThomas Struth: Photos so Complex \u2018you could look at the forever\u2019 \u201c, The Guardian, July 2, 2011<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2011\/jul\/03\/thomas-struth-interview-photography-whitechapel\">http:\/\/www.guardian.co.uk\/artanddesign\/2011\/jul\/03\/thomas-struth-interview-photography-whitechapel<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Lee Siegel, \u201cTruth or Dare,\u201d Slate.com, March 21, 2003<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.slate.com\/id\/2080362\/\">http:\/\/www.slate.com\/id\/2080362\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thomas Struth, Virtual Exhibition Tour http:\/\/thomasstruth25.com\/index.htm Thomas Struth at Marian Goodman Gallery http:\/\/www.mariangoodman.com\/artists\/thomas-struth\/ Thomas Struth at Galerie Max Hetzler http:\/\/www.maxhetzler.com\/index.php?id=1035 Thomas Struth&nbsp;Exhibition, The Metropolitan Museum of Art http:\/\/www.metmuseum.org\/about-the-museum\/press-room\/exhibitions\/2002\/thomas-struth Janet Malcolm, \u201cDepth of Field: Thomas Struth\u2019s Way of Seeing\u201d, The New Yorker, September 26, 2011 http:\/\/www.newyorker.com\/reporting\/2011\/09\/26\/110926fa_fact_malcolm Sean O\u2019Hagan, \u201cThomas Struth: Photos so Complex \u2018you could look [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"topic":[6,8,14],"class_list":["post-1593","content","type-content","status-publish","hentry","category-uncategorized","topic-documentary-style","topic-landscape","topic-series-sequence"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1593\/revisions"}],"predecessor-version":[{"id":2601,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1593\/revisions\/2601"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=1593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=1593"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=1593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}