{"id":1659,"date":"2025-09-05T19:47:52","date_gmt":"2025-09-05T19:47:52","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/content\/resources\/artists\/francesca-woodman\/"},"modified":"2025-10-01T13:34:49","modified_gmt":"2025-10-01T13:34:49","slug":"francesca-woodman","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/francesca-woodman\/","title":{"rendered":"Francesca Woodman"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Francesca Woodman at Marian Goodman Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.mariangoodman.com\/artists\/francesca-woodman\/\">http:\/\/www.mariangoodman.com\/artists\/francesca-woodman\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Francesca Woodman at Victoria Miro<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.victoria-miro.com\/artists\/_7\/\">http:\/\/www.victoria-miro.com\/artists\/_7\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ted Loos, \u201cSharing a Guarded Legacy\u201d, The New York Times, December 1, 2011<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.nytimes.com\/2011\/12\/04\/arts\/design\/francesca-woodman-retrospective.html?_r=1\">http:\/\/www.nytimes.com\/2011\/12\/04\/arts\/design\/francesca-woodman-retrospective.html?_r=1<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Francesca Woodman at Art Pages<\/h2>\n\n\n\n<p><a href=\"http:\/\/artpages.org.ua\/index.php?option=com_datsogallery&amp;Itemid=104&amp;func=viewcategory&amp;catid=38\">http:\/\/artpages.org.ua\/index.php?option=com_datsogallery&amp;Itemid=104&amp;func=viewcategory&amp;catid=38<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Francesca Woodman in Artist Rooms, Tate Online<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.tate.org.uk\/collection\/artistrooms\/artist.do?id=10512\">http:\/\/www.tate.org.uk\/collection\/artistrooms\/artist.do?id=10512<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Prema Purigali Prabhakar, \u201cInvoking The Spectral Body: A Study of Potential Corporealities in the Work of Marina Abramovic and Francesca Woodman,\u201d Excursions Journal, Vol. 1, No. 1, 2010<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.excursions-journal.org.uk\/index.php\/excursions\/article\/view\/10\">http:\/\/www.excursions-journal.org.uk\/index.php\/excursions\/article\/view\/10<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Francesca Woodman at Marian Goodman Gallery http:\/\/www.mariangoodman.com\/artists\/francesca-woodman\/ Francesca Woodman at Victoria Miro http:\/\/www.victoria-miro.com\/artists\/_7\/ Ted Loos, \u201cSharing a Guarded Legacy\u201d, The New York Times, December 1, 2011 http:\/\/www.nytimes.com\/2011\/12\/04\/arts\/design\/francesca-woodman-retrospective.html?_r=1 Francesca Woodman at Art Pages http:\/\/artpages.org.ua\/index.php?option=com_datsogallery&amp;Itemid=104&amp;func=viewcategory&amp;catid=38 Francesca Woodman in Artist Rooms, Tate Online http:\/\/www.tate.org.uk\/collection\/artistrooms\/artist.do?id=10512 Prema Purigali Prabhakar, \u201cInvoking The Spectral Body: A Study of Potential Corporealities in the [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"topic":[11],"class_list":["post-1659","content","type-content","status-publish","hentry","category-uncategorized","topic-portraiture"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1659\/revisions"}],"predecessor-version":[{"id":2681,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/1659\/revisions\/2681"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=1659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=1659"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=1659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}