{"id":312,"date":"2024-09-30T13:04:16","date_gmt":"2024-09-30T13:04:16","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&#038;p=312"},"modified":"2024-09-30T13:04:16","modified_gmt":"2024-09-30T13:04:16","slug":"photography-art-texts","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/photography-art-texts\/","title":{"rendered":"Photography \/ Art Texts"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">1000 Words Photography<\/h2>\n\n\n\n<p>An online magazine that highlights worldwide contemporary art photography with critical articles.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.1000wordsmag.com\/\">http:\/\/www.1000wordsmag.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Afterimage: The Journal of Media Arts and Cultural Criticism<\/h2>\n\n\n\n<p>The online version of the magazine contains excerpts of feature articles, books and exhibition reviews, and news.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.vsw.org\/ai\/issues\/afterimage-vol-38-no-1\/\">http:\/\/www.vsw.org\/ai\/issues\/afterimage-vol-38-no-1\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">American Suburb X, Photography Interviews archive<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.americansuburbx.com\/2008\/02\/interviews.html\">http:\/\/www.americansuburbx.com\/2008\/02\/interviews.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em>The Anxiety of Photography<\/em>&nbsp;Exhibition, May 13 \u2013 July 17, 2011<\/h2>\n\n\n\n<p>Exhibition that presented artists who embrace &#8220;photography\u2019s plasticity and ability to exist, sometimes uneasily, in multiple contexts.&#8221; Site archive provides essays by Matthew Thompson, Anne Ellegood, and Jenelle Porter.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.aspenartmuseum.org\/archive_anxiety_of_photography.html\">http:\/\/www.aspenartmuseum.org\/archive_anxiety_of_photography.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Art Newspaper<\/h2>\n\n\n\n<p>An investigative newspaper about old art, new art, decorative art, the commercial and the non-commercial world.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.theartnewspaper.com\/\">http:\/\/www.theartnewspaper.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Art Newspaper Digital<\/h2>\n\n\n\n<p>Digital edition of the Art Newspaper, an investigative newspaper about old art, new art, decorative art, the commercial and the non-commercial world.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.theartnewspaper.tv\/\">http:\/\/www.theartnewspaper.tv\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Arts Journal<\/h2>\n\n\n\n<p>A weekday digest of arts and cultural journalism.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.artsjournal.com\/\">http:\/\/www.artsjournal.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ArtThrob<\/h2>\n\n\n\n<p>South African contemporary visual arts publication<\/p>\n\n\n\n<p><a href=\"http:\/\/www.artthrob.co.za\/\">http:\/\/www.artthrob.co.za\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Big Red &amp; Shiny<\/h2>\n\n\n\n<p>A home for criticism, discussion, debate and commentary on the state of the arts, especially the arts in New England.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.bigredandshiny.com\/cgi-bin\/BRS.cgi\">http:\/\/www.bigredandshiny.com\/cgi-bin\/BRS.cgi<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bill Jay On Photography<\/h2>\n\n\n\n<p>Collection of texts and photographs by Bill Jay.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.billjayonphotography.com\/index.html\">http:\/\/www.billjayonphotography.com\/index.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">BOMB Magazine<\/h2>\n\n\n\n<p><a href=\"http:\/\/bombsite.com\/\">http:\/\/bombsite.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Daily Serving<\/h2>\n\n\n\n<p>DailyServing is central site for art lovers to find resources on events and exhibitions within the world of contemporary art and an expansive, international source for ground-breaking contemporary art, with a huge network of writers spanning the globe. DailyServing&nbsp;directly connects readers to countless resources through original articles, interviews, and reviews published everyday.<\/p>\n\n\n\n<p><a href=\"http:\/\/dailyserving.com\/\">http:\/\/dailyserving.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Euroart Magazine<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.euroartmagazine.com\/new\/\">http:\/\/www.euroartmagazine.com\/new\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Frieze Magazine<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.frieze.com\/magazine\/\">http:\/\/www.frieze.com\/magazine\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Goethe-Institut, On German Photography Today<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.goethe.de\/kue\/bku\/dos\/dfh\/enindex.htm\">http:\/\/www.goethe.de\/kue\/bku\/dos\/dfh\/enindex.htm<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Harvard Photography Journal<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.hcs.harvard.edu\/%7Ehpj\/\">http:\/\/www.hcs.harvard.edu\/~hpj\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Hyperrhiz<\/h2>\n\n\n\n<p>Peer-Reviewed online journl specializing in new media and net art.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.hyperrhiz.net\/\">http:\/\/www.hyperrhiz.net\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Image &amp; Narrative<\/h2>\n\n\n\n<p>A peer-reviewed e-journal on visual narratology and word and image studies in the broadest sense of the term.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.imageandnarrative.be\/\">http:\/\/www.imageandnarrative.be\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Issuu \u2013 You Publish<\/h2>\n\n\n\n<p>Digital publications, including texts about Martin Parr, Rineke Dijkstra, Alec Soth and others.<\/p>\n\n\n\n<p><a href=\"http:\/\/issuu.com\/\">http:\/\/issuu.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Journal of Contemporary Art, Interviews with Artists<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.jca-online.com\/\">http:\/\/www.jca-online.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Morning News<\/h2>\n\n\n\n<p>An online magazine of essays, art, humor, and culture.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.themorningnews.org\/\">http:\/\/www.themorningnews.org\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The New York Times<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.nytimes.com\/\">http:\/\/www.nytimes.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Nonsite<\/h2>\n\n\n\n<p>Nonsite is an online peer-reviewed quarterly journal of scholarship in the humanities, plus poetry, editorials, reviews, visual art and more.<\/p>\n\n\n\n<p><a href=\"http:\/\/nonsite.org\/\">http:\/\/nonsite.org\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Other Voices: The eJournal of Cultural Criticism<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.othervoices.org\/index.php\">http:\/\/www.othervoices.org\/index.php<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Parkett<\/h2>\n\n\n\n<p>The online site for this contemporary art publication features texts and exhibition news.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.parkettart.com\/\">http:\/\/www.parkettart.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Photography Criticism CyberArchive<\/h2>\n\n\n\n<p>A.D. Coleman\u2019s archive of texts in the fields of history, criticism, and theory of photography from the medium\u2019s inception through the present day. Writers ranging from W. H. F. Talbot, L. J. M. Daguerre, and Lady Elizabeth Eastlake through Nancy Brokaw and Donna-Lee Phillips.<\/p>\n\n\n\n<p><a href=\"http:\/\/adcoleman.com\/\">http:\/\/adcoleman.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Photo Technique Magazine<\/h2>\n\n\n\n<p>Online magazine with technical articles on photographers, photo history and demonstrations of how to use modern imaging tools. The magazine charges a subscription but allows non-members to read parts of articles.<\/p>\n\n\n\n<p><a href=\"http:\/\/phototechmag.com\/\">http:\/\/phototechmag.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Places<\/h2>\n\n\n\n<p>An interdisciplinary open-access journal of contemporary architecture, landscape and urbanism, with particular emphasis on the public realm as physical place and social ideal. In partnership with the Design Observer Group, Places publishes scholarship, reviews, and visual portfolios.<\/p>\n\n\n\n<p><a href=\"http:\/\/places.designobserver.com\/\">http:\/\/places.designobserver.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">PopMatters<\/h2>\n\n\n\n<p>International magazine of cultural criticism.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.popmatters.com\/\">http:\/\/www.popmatters.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">SeeSaw Magazine<\/h2>\n\n\n\n<p>An online photography magazine dedicated to work that successfully captures, represents, and encourages acute observation via the photographic medium.<\/p>\n\n\n\n<p><a href=\"http:\/\/seesawmagazine.com\/\">http:\/\/seesawmagazine.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">SFMOMA Symposium&nbsp;<em>Is Photography Over<\/em><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.sfmoma.org\/pages\/research_projects_photography_over\">http:\/\/www.sfmoma.org\/pages\/research_projects_photography_over<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/blog.sfmoma.org\/tag\/is-photography-over\/\">http:\/\/blog.sfmoma.org\/tag\/is-photography-over\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Square Magazine<\/h2>\n\n\n\n<p>Magazine dedicated to square format photography.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.squaremag.org\/\">http:\/\/www.squaremag.org\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Tate Papers<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.tate.org.uk\/research\/tateresearch\/tatepapers\/\">http:\/\/www.tate.org.uk\/research\/tateresearch\/tatepapers\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Triple Canopy<\/h2>\n\n\n\n<p>An online magazine for editorial and curatorial activities.<\/p>\n\n\n\n<p><a href=\"http:\/\/canopycanopycanopy.com\/\">http:\/\/canopycanopycanopy.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Unless You Will<\/strong><\/h2>\n\n\n\n<p>An online journal showcasing \u201ca vision within photo-based art\u201d from around the world. UYW showcases photographers who \u201cadd layers of meaning and capture\u201d \u201cfeelings of emotion or nostalgia\u201d. Curated by Heidi Romano.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.unlessyouwill.com\/\">http:\/\/www.unlessyouwill.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Visura Magazine<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.visuramagazine.com\/\">http:\/\/www.visuramagazine.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">X-TRA Contemporary Art Quarterly<\/h2>\n\n\n\n<p><a href=\"http:\/\/x-traonline.org\/\">http:\/\/x-traonline.org\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Wired.com<\/h2>\n\n\n\n<p>A daily technology news website, and digital home of Wired magazine, the monthly print publication.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.wired.com\/\">http:\/\/www.wired.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>1000 Words Photography An online magazine that highlights worldwide contemporary art photography with critical articles. http:\/\/www.1000wordsmag.com\/ Afterimage: The Journal of Media Arts and Cultural Criticism The online version of the magazine contains excerpts of feature articles, books and exhibition reviews, and news. http:\/\/www.vsw.org\/ai\/issues\/afterimage-vol-38-no-1\/ American Suburb X, Photography Interviews archive http:\/\/www.americansuburbx.com\/2008\/02\/interviews.html The Anxiety of Photography&nbsp;Exhibition, May [&hellip;]<\/p>\n","protected":false},"author":2,"parent":303,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[],"class_list":["post-312","content","type-content","status-publish","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":0,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/312\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/303"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=312"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}