{"id":787,"date":"2025-02-10T15:28:56","date_gmt":"2025-02-10T15:28:56","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&#038;p=787"},"modified":"2025-02-10T15:28:58","modified_gmt":"2025-02-10T15:28:58","slug":"collage","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/topics\/collage\/","title":{"rendered":"Collage"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">John Baldessari\u2019s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.baldessari.org\/\">http:\/\/www.baldessari.org\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"549\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/baldessari_two_opponents.jpg\" alt=\"\" class=\"wp-image-788\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/baldessari_two_opponents.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/baldessari_two_opponents-298x300.jpg 298w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/baldessari_two_opponents-150x150.jpg 150w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>John Baldessari<\/strong>,\u00a0<em>Two Opponents (Blue and Yellow)<\/em>, 2004. Courtesy of Gemini G.E.L., Los Angeles, CA.<br>\u00a9 2004 John Baldessari and Gemini G.E.L.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Karl-Blossfeldt Archive<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.karl-blossfeldt-archiv.de\/\">http:\/\/www.karl-blossfeldt-archiv.de\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"367\" height=\"576\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/blossfeldt_collage.jpg\" alt=\"\" class=\"wp-image-789\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/blossfeldt_collage.jpg 367w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/blossfeldt_collage-191x300.jpg 191w\" sizes=\"auto, (max-width: 367px) 100vw, 367px\" \/><figcaption class=\"wp-element-caption\"><strong>Karl Blossfeldt<\/strong>, Plate 16 of\u00a0<em>Working Collages<\/em>, 1915-1925, Photogravure.<br>\u00a9 Karl Blossfeldt Archiv \/ Ann and J\u00fcrgen Wilde, Z\u00fclpich 2010.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Mark Bradford at the Saatchi Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.saatchi-gallery.co.uk\/artists\/mark_bradford.htm\">http:\/\/www.saatchi-gallery.co.uk\/artists\/mark_bradford.htm<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"407\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Bradford_Mark_8742-Correct-Colour.jpg\" alt=\"\" class=\"wp-image-790\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Bradford_Mark_8742-Correct-Colour.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Bradford_Mark_8742-Correct-Colour-300x224.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Mark Bradford<\/strong>,\u00a0<em>White Painting<\/em>, 2009. Mixed media collage on canvas, 259 x 366 cm. Image courtesy of<br>The Saatchi Gallery, London. \u00a9 Mark Bradford, 2009.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Nancy Burson\u2019s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.nancyburson.com\/\">http:\/\/www.nancyburson.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">David Byrne\u2019s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.davidbyrne.com\/\">http:\/\/www.davidbyrne.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Joseph Cornell in Artist Works Catalogues on artnet<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.artnet.com\/awc\/joseph-cornell.html\">http:\/\/www.artnet.com\/awc\/joseph-cornell.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Jason Demarte\u2019s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.jasondemarte.com\/\">http:\/\/www.jasondemarte.com\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"417\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/demarte_bologna.jpg\" alt=\"\" class=\"wp-image-791\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/demarte_bologna.jpg 417w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/demarte_bologna-209x300.jpg 209w\" sizes=\"auto, (max-width: 417px) 100vw, 417px\" \/><figcaption class=\"wp-element-caption\"><strong>Jason Demarte<\/strong>,\u00a0<em>Bologna<\/em>, from the series\u00a0<em>Plastica,<\/em>\u00a02009, 23 x 34.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Andy ducett&#8217;s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.andyducett.com\/collage\/\">http:\/\/www.andyducett.com\/collage\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Fred Free\u2019s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.fredfree.com\/\">http:\/\/www.fredfree.com\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"424\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/free_in_your_present_-_left.jpg\" alt=\"\" class=\"wp-image-792\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/free_in_your_present_-_left.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/free_in_your_present_-_left-300x233.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Fred Free<\/strong>,\u00a0<em>in your present, general interest, copy 1<\/em>, collage on found library book card, left in pocket of book<br>in library, 3 works, 3 x 5 in., 2011.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">James gallagher&#8217;s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.gallagherstudio.net\/\">http:\/\/www.gallagherstudio.net\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/gallagher_BlankAvedon.jpg\" alt=\"\" class=\"wp-image-793\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/gallagher_BlankAvedon.jpg 450w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/gallagher_BlankAvedon-225x300.jpg 225w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption class=\"wp-element-caption\"><strong>James Gallagher<\/strong>,\u00a0<em>Blank Avedon<\/em><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Richard Hamilton, Tate Collection<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.tate.org.uk\/art\/artists\/richard-hamilton-1244\">http:\/\/www.tate.org.uk\/art\/artists\/richard-hamilton-1244<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Claire Harvey&#8217;s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/claireharvey.net\/\">http:\/\/claireharvey.net\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">John Heartfield at&nbsp;<em>Galerie St. Etienne<\/em><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.gseart.com\/artists.asp?ArtistID=47\">http:\/\/www.gseart.com\/artists.asp?ArtistID=47<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"416\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Heartfield_Hurrah.jpg\" alt=\"\" class=\"wp-image-794\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Heartfield_Hurrah.jpg 416w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Heartfield_Hurrah-208x300.jpg 208w\" sizes=\"auto, (max-width: 416px) 100vw, 416px\" \/><figcaption class=\"wp-element-caption\"><strong>John Heartfield<\/strong>,\u00a0<em>Hurrah, die Butter ist alle!<\/em>\u00a01935. Rotogravure print, rephotographed<br>montage with typography. \u00a9 Courtesy of George Eastman House, International<br>Museum of Photography and Film.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Robert Heinecken at PACE MACGILL gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.pacemacgill.com\/exhibitions.html\">http:\/\/www.pacemacgill.com\/exhibitions.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Photomontages of Hannah H\u00f6ch, University of Chicago<\/h2>\n\n\n\n<p><a href=\"http:\/\/humanities.uchicago.edu\/classes\/readcult\/\">http:\/\/humanities.uchicago.edu\/classes\/readcult\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">David Hockney studio website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.hockneypictures.com\/\">http:\/\/www.hockneypictures.com\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"344\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/hockney_zen.jpg\" alt=\"\" class=\"wp-image-795\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/hockney_zen.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/hockney_zen-300x189.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>David Hockney<\/strong>,\u00a0<em>Walking in the Zen garden at the Ryoanji Temple, Kyoto, Feb 1983<\/em>, 1983. Photographic<br>collage, Edition: 20, 40 x 62 \u00bd in. \u00a9 David Hockney.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">The Estate of Ray Johnson<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.rayjohnsonestate.com\/\">http:\/\/www.rayjohnsonestate.com\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"437\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Johnson_Ray_Green.jpg\" alt=\"\" class=\"wp-image-796\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Johnson_Ray_Green.jpg 437w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Johnson_Ray_Green-219x300.jpg 219w\" sizes=\"auto, (max-width: 437px) 100vw, 437px\" \/><figcaption class=\"wp-element-caption\"><strong>Ray Johnson<\/strong>,<em>\u00a0Green Hornet with Arman and Andy<\/em>, 1976-80-81-85-86. Collage on<br>illustration board, 15 x 11in. Courtesy of Kinz + Tillou Fine Art, Richard L. Feigen &amp; Co.,<br>Estate of Ray Johnson.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Kiron Khosla\u2019s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.kironkhosla.de\/\">http:\/\/www.kironkhosla.de\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"409\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/khosla_2010-steganography.jpg\" alt=\"\" class=\"wp-image-797\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/khosla_2010-steganography.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/khosla_2010-steganography-300x225.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Kiron Khosla<\/strong>,\u00a0<em>Steganography<\/em>, oil on linen, 90 x 120 cm.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Art: 21 PBS Series featuring Barbara Kruger<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.pbs.org\/art21\/artists\/kruger\/\">http:\/\/www.pbs.org\/art21\/artists\/kruger\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"419\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/kruger_barbara.jpg\" alt=\"\" class=\"wp-image-798\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/kruger_barbara.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/kruger_barbara-300x231.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Barbara Kruger<\/strong>.<em>\u00a0Untitled<\/em>, Installation at Mary Boone Gallery, New York, January 1991. \u00a9 Barbara Kruger.<br>Courtesy Mary Boone Gallery, NY.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Being in Pictures: Joanne Leonard \u2014 A Woman Artist\u2019s Life<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.beinginpictures.com\/\">http:\/\/www.beinginpictures.com\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"545\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Leonard_Twins_Conjoined.jpg\" alt=\"\" class=\"wp-image-799\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Leonard_Twins_Conjoined.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Leonard_Twins_Conjoined-300x300.jpg 300w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Leonard_Twins_Conjoined-150x150.jpg 150w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Joanne Leonard<\/strong>,\u00a0<em>Twins: Conjoined and Separated<\/em>, 2003, glassine with gold paint, watercolor, scanned<br>photographs, constellation map of Gemini, newspaper clippings. 17-in. diameter circle on 22-in. square<br>glassine sheet. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Lynette Miller\u2019s website&nbsp;<\/h2>\n\n\n\n<p><a href=\"http:\/\/lcmillerstudios.com\/\">http:\/\/lcmillerstudios.com\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"355\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Miller_01_NeoPlatonist-Illusion.jpg\" alt=\"\" class=\"wp-image-800\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Miller_01_NeoPlatonist-Illusion.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Miller_01_NeoPlatonist-Illusion-300x195.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Lynette Miller<\/strong>,\u00a0<em>NeoPlatonist Illusion<\/em><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Wangechi Mutu at the Saatchi Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.saatchi-gallery.co.uk\/artists\/wangechi_mutu.htm\/\">http:\/\/www.saatchi-gallery.co.uk\/artists\/wangechi_mutu.htm\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"468\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Mutu_Wangechi_my-strength-lies.jpg\" alt=\"\" class=\"wp-image-801\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Mutu_Wangechi_my-strength-lies.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Mutu_Wangechi_my-strength-lies-300x258.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Wangechi Mutu<\/strong>,\u00a0<em>My Strength Lies<\/em>, 2006. ink, acrylic, photo collage, contact paper, on Mylar, 228.6 x 137.2 cm.<br>Image courtesy of The Saatchi Gallery, London. \u00a9 Wangechi Mutu, 2006.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">NOEL MYLES<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.noelmyles.co.uk\/\">http:\/\/www.noelmyles.co.uk\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"229\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/myles_Earth_lo.jpg\" alt=\"\" class=\"wp-image-802\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/myles_Earth_lo.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/myles_Earth_lo-300x126.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Noel Myles<\/strong>,\u00a0<em>Earth<\/em><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Notpaper<\/h2>\n\n\n\n<p>A blog dedicated to showcasing the work of international collage artists.<br><a href=\"http:\/\/www.notpaper.net\/\">http:\/\/www.notpaper.net\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Jenny Odell\u2019s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/jennyodell.com\/\">http:\/\/jennyodell.com\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"270\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/odell_shoppingcenters.jpg\" alt=\"\" class=\"wp-image-803\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/odell_shoppingcenters.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/odell_shoppingcenters-300x149.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Jenny Odell<\/strong>,\u00a0<em>153 Signs for Shopping Centers and Entertainment Complexes<\/em>, digital print, 2012.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Claudio Parentela&#8217;s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.claudioparentela.net\/\">http:\/\/www.claudioparentela.net\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"421\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/parentela_PAINTING1732.jpg\" alt=\"\" class=\"wp-image-804\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/parentela_PAINTING1732.jpg 421w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/parentela_PAINTING1732-211x300.jpg 211w\" sizes=\"auto, (max-width: 421px) 100vw, 421px\" \/><figcaption class=\"wp-element-caption\"><strong>Claudio Parentela<\/strong>,\u00a0<em>Painting 1732<\/em>, mixed media on paper, 21cm x 30 cm., 2014.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Cory W. Peeke&#8217;s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/corypeeke.com\/home.html\">http:\/\/corypeeke.com\/home.html<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"555\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/peeke_MN-chair.jpg\" alt=\"\" class=\"wp-image-805\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/peeke_MN-chair.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/peeke_MN-chair-295x300.jpg 295w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Cory Peeke<\/strong>,<em>\u00a0untitled (MN chair)<\/em>, 2012<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Robert Rauschenberg at PACE MACGILL gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.pacemacgill.com\/exhibitions.html\">http:\/\/www.pacemacgill.com\/exhibitions.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Aleksandr Rodchenko<\/em>, Interactive Exhibition at MoMA, 1998<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.moma.org\/interactives\/exhibitions\/1998\/rodchenko\/\">http:\/\/www.moma.org\/interactives\/exhibitions\/1998\/rodchenko\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"455\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Rodchenko_Kino_Glaz.jpg\" alt=\"\" class=\"wp-image-806\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Rodchenko_Kino_Glaz.jpg 455w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Rodchenko_Kino_Glaz-228x300.jpg 228w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/><figcaption class=\"wp-element-caption\"><strong>Alexander Rodchenko<\/strong>,\u00a0<em>Kino-Glaz<\/em>. Poster for the film\u00a0<em>Cine-Eye<\/em>\u00a0by Dziga Vertov, 1924,<br>Lithograph on paper, 90.8 x 67.9 cm. \u00a9 Rodchenko &amp; Stepanova Archive, DACS 2010.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Javier Rodriguez<\/h2>\n\n\n\n<p><a href=\"https:\/\/rodriguezjavier.blogspot.com\/p\/projects.html\">http:\/\/rodriguezjavier.blogspot.com\/p\/projects.html<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"370\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/rodriguez_1_quieroservir4.jpg\" alt=\"\" class=\"wp-image-807\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/rodriguez_1_quieroservir4.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/rodriguez_1_quieroservir4-300x204.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Javier Rodriguez<\/strong>,\u00a0<em>Quiero Servir! (Ni Dioses Ni Maestros)<\/em><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Anne Roecklein\u2019s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/anneroecklein.net\/home.html\">http:\/\/anneroecklein.net\/home.html<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"88\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/roecklein_dunes-and-dishes545.jpg\" alt=\"\" class=\"wp-image-808\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/roecklein_dunes-and-dishes545.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/roecklein_dunes-and-dishes545-300x48.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Anne Roecklein<\/strong>,\u00a0<em>untitled (dunes and dishes)<\/em>, 2010, collage on paper, 18&#8243; x 128&#8243;.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Kristine Roepstorff at Saatchi Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.saatchi-gallery.co.uk\/artists\/wangechi_mutu.htm\/\">http:\/\/www.saatchi-gallery.co.uk\/artists\/kirstine_roepstorff.htm<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"389\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Roepstorff_Kirstine.jpg\" alt=\"\" class=\"wp-image-809\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Roepstorff_Kirstine.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Roepstorff_Kirstine-300x214.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Kirstine Roepstorff<\/strong>,\u00a0<em>Hidden Truth<\/em>, 2002, Collage on aluminium in 4 parts, 274 x 388 cm. Image courtesy of<br>The Saatchi Gallery, London. \u00a9 Kirstine Roepstorff, 2002.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Martha Rosler\u2019s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.martharosler.net\/\">http:\/\/www.martharosler.net\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Kurt Schwitters archives, Sprengel Museum Hannover<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.kurt-schwitters.org\/\">http:\/\/www.sprengel-museum.de\/v1\/englisch\/12schwarchiv\/12schwitters-intro.html<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"487\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Schwitters.jpg\" alt=\"\" class=\"wp-image-810\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Schwitters.jpg 487w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/Schwitters-244x300.jpg 244w\" sizes=\"auto, (max-width: 487px) 100vw, 487px\" \/><figcaption class=\"wp-element-caption\"><strong>Kurt Schwitters<\/strong>,\u00a0<em>Untitled (Ebing)<\/em>, 1920. Collage, 15 x 12cm. \u00a9 DACS 2009.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Gibb Slife at Charles Bank Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.charlesbankgallery.com\/exhibitions\/8\/works\/artworks277\/\">http:\/\/www.charlesbankgallery.com\/exhibitions\/8\/works\/artworks277\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Starn Studio<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.starnstudio.com\/\">http:\/\/www.starnstudio.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">John Stezaker at Friedrich Petzel Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.petzel.com\/exhibitions\/2011-01-07_john-stezaker\/\">http:\/\/www.petzel.com\/exhibitions\/2011-01-07_john-stezaker\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Tomoko Takahashi at Hales Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.halesgallery.com\/artists\/_TOMOKO%20TAKAHASHI\/\">http:\/\/www.halesgallery.com\/artists\/_TOMOKO%20TAKAHASHI\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Jane Wilbraham at Hales GAllery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.halesgallery.com\/artists\/_JANE%20WILBRAHAM\/\">http:\/\/www.halesgallery.com\/artists\/_JANE%20WILBRAHAM\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Jane Wilbraham at Hales Gallery<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.halesgallery.com\/exhibitions\/_4\/\">http:\/\/www.halesgallery.com\/exhibitions\/_4\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"420\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/wilbraham_Neg04.jpg\" alt=\"\" class=\"wp-image-811\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/wilbraham_Neg04.jpg 420w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/wilbraham_Neg04-210x300.jpg 210w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><figcaption class=\"wp-element-caption\"><strong>Jane Wilbraham<\/strong>,\u00a0<em>Small shop within a Big shop<\/em>, 2003, Installation in Safeway Megastore,<br>Milton Keynes, UK. Commissioned by ArtPoint . Photography by Peter White FXP. Courtesy<br>of the artist and Hales Gallery \u00a9 The Artist.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>John Baldessari\u2019s website http:\/\/www.baldessari.org\/ Karl-Blossfeldt Archive http:\/\/www.karl-blossfeldt-archiv.de\/ Mark Bradford at the Saatchi Gallery http:\/\/www.saatchi-gallery.co.uk\/artists\/mark_bradford.htm Nancy Burson\u2019s website http:\/\/www.nancyburson.com\/ David Byrne\u2019s website http:\/\/www.davidbyrne.com\/ Joseph Cornell in Artist Works Catalogues on artnet http:\/\/www.artnet.com\/awc\/joseph-cornell.html Jason Demarte\u2019s website http:\/\/www.jasondemarte.com\/ Andy ducett&#8217;s website http:\/\/www.andyducett.com\/collage\/ Fred Free\u2019s website http:\/\/www.fredfree.com\/ James gallagher&#8217;s website http:\/\/www.gallagherstudio.net\/ Richard Hamilton, Tate Collection http:\/\/www.tate.org.uk\/art\/artists\/richard-hamilton-1244 Claire Harvey&#8217;s website [&hellip;]<\/p>\n","protected":false},"author":2,"parent":313,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[7,8,11,12,13,14,16],"class_list":["post-787","content","type-content","status-publish","hentry","topic-editing","topic-landscape","topic-portraiture","topic-presentation","topic-reproductive-processes","topic-series-sequence","topic-vision"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/787\/revisions"}],"predecessor-version":[{"id":812,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/787\/revisions\/812"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/313"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=787"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=787"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}