{"id":813,"date":"2025-02-10T15:30:00","date_gmt":"2025-02-10T15:30:00","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&#038;p=813"},"modified":"2025-02-10T15:30:01","modified_gmt":"2025-02-10T15:30:01","slug":"critique","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/topics\/critique\/","title":{"rendered":"Critique"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Terry Barrett articles<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.terrybarrettosu.com\/articles.html\">http:\/\/www.terrybarrettosu.com\/articles.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Terry Barrett books<\/h2>\n\n\n\n<p><em>Making Art: Form and Meaning<\/em>&nbsp;(New York: McGraw-Hill, 2010).<em><br>Criticizing Photographs: An Introduction to Understanding Images<\/em>&nbsp;(New York: McGraw Hill, 4th edition, 2005).<em><br>Interpreting Art: Reflecting, Wondering, and Responding<\/em>&nbsp;(New York: McGraw-Hill, 2002).<a href=\"http:\/\/www.mhprofessional.com\/contributor.php?cat=115&amp;id=30564\"><br>http:\/\/www.mhprofessional.com\/contributor.php?cat=115&amp;id=30564<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Is beauty back? the future of art<\/em>, conversation with Griselda pollock, julian stallabrass, &amp; sidsel christensen.<\/h2>\n\n\n\n<p><a href=\"http:\/\/iai.tv\/video\/is-beauty-back\">http:\/\/iai.tv\/video\/is-beauty-back<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">john berger,&nbsp;<em>ways of seeing<\/em><\/h2>\n\n\n\n<p><a href=\"http:\/\/us.penguingroup.com\/nf\/Book\/BookDisplay\/0,,0_9780140135152,00.html\">http:\/\/us.penguingroup.com\/nf\/Book\/BookDisplay\/0,,0_9780140135152,00.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">john berger,&nbsp;<em>ways of seeing<\/em>, tv documentary<\/h2>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=LnfB-pUm3eI\">http:\/\/www.youtube.com\/watch?v=LnfB-pUm3eI<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Scott Berkun<\/h2>\n\n\n\n<p>September 2004, \u201c#35 &#8211; How to give and receive criticism\u201d<\/p>\n\n\n\n<p><a href=\"http:\/\/www.scottberkun.com\/essays\/35-how-to-give-and-receive-criticism\/\">http:\/\/www.scottberkun.com\/essays\/35-how-to-give-and-receive-criticism\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Kendall Buster (and Paula crawford),&nbsp;<em>Critique handbook<\/em><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.kendallbuster.com\/\">http:\/\/www.kendallbuster.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Paula crawford (and Kendall Buster),&nbsp;<em>Critique handbook<\/em><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.paulacrawford.com\/\">http:\/\/www.paulacrawford.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Kendall Buster<\/h2>\n\n\n\n<p><em>The Critique Handbook: The Art Student\u2019s Sourcebook and Survival Guide<\/em>&nbsp;(New York: Prentice Hall, 2009 \u2013 2<sup>nd<\/sup>&nbsp;edition)<\/p>\n\n\n\n<p><a href=\"http:\/\/www.pearsonhighered.com\/educator\/product\/Critique-Handbook-The\/9780131505445.page\">http:\/\/www.pearsonhighered.com\/educator\/product\/Critique-Handbook-The\/9780131505445.page<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Kendall Buster\u2019s website<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.kendallbuster.com\/\">http:\/\/www.kendallbuster.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Leonard Diepeveen<\/h2>\n\n\n\n<p><em>Active Sights: Art as Social Interaction<\/em>. Co-authored with Timothy van Laar. (New York: McGraw-Hill, 1998).<br><em>Art With a Difference: Looking at Difficult and Unfamiliar Art<\/em>. Co-authoried wiht Timothy van Laar. (New York: McGraw-Hill, 2001).<\/p>\n\n\n\n<p><a href=\"http:\/\/myweb.dal.ca\/diepev\/\">http:\/\/myweb.dal.ca\/diepev\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">James Elkins (and Jerry Saltz),&nbsp;<em>Art critiques: the good; the bad; the very bad&#8230;<\/em><\/h2>\n\n\n\n<p>Facebook conversation with notes about experiences and resources about critiques.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/notes\/jerry-saltz\/art-critiques-the-good-the-bad-the-very-bad-aka-make-it-red-make-it-bigger-do-10\/352242884966\">http:\/\/www.facebook.com\/notes\/jerry-saltz\/art-critiques-the-good-the-bad-the-very-bad-aka-make-it-red-make-it-bigger-do-10\/352242884966<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">David Goldblatt,&nbsp;<em>art and ventriloquism<\/em><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.routledge.com\/books\/search\/author\/david_goldblatt\/\">http:\/\/www.routledge.com\/books\/search\/author\/david_goldblatt\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bruce Mau Design<\/h2>\n\n\n\n<p><em>An Incomplete Manifesto for Growth<\/em><\/p>\n\n\n\n<p><a href=\"http:\/\/www.brucemaudesign.com\/manifesto.html\">http:\/\/www.brucemaudesign.com\/manifesto.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Christine mcquade and donald mcquade,&nbsp;<em>seeing &amp; writing<\/em><\/h2>\n\n\n\n<p><a href=\"http:\/\/english.berkeley.edu\/contact\/person_detail.php?person=52\">http:\/\/www.bedfordstmartins.com\/catalog\/Author\/christinemcquade<br>http:\/\/english.berkeley.edu\/contact\/person_detail.php?person=52<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Deborah Rockman,&nbsp;<em>the art of teaching art<\/em><\/h2>\n\n\n\n<p><a href=\"http:\/\/deborahrockman.com\/\">http:\/\/deborahrockman.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Henry M. Sayre,&nbsp;<em>Writing About Art<\/em><\/h2>\n\n\n\n<p>(New Jersey:\u2008Prentice Hall, 6th edition, 2008).<\/p>\n\n\n\n<p><a href=\"http:\/\/www.osucascades.edu\/academics\/art\/sayre\">http:\/\/www.osucascades.edu\/academics\/art\/sayre<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Marita Sturken,&nbsp;<em>Practices of Looking:<\/em><em>An Introduction to Visual Culture<\/em><\/h2>\n\n\n\n<p>(Oxford; New York: Oxford University Press, 2nd edition, 2009)<\/p>\n\n\n\n<p><a href=\"http:\/\/www.oup.com\/us\/catalog\/general\/subject\/Communication\/VisualCommunication\/?view=usa&amp;ci=9780195314403\">http:\/\/www.oup.com\/us\/catalog\/general\/subject\/Communication\/VisualCommunication\/?view=usa&amp;ci=9780195314403<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Paul Thek, 4d design test (The cooper union)<\/h2>\n\n\n\n<p>Paul Thek gave this test to his freshman 4D Design class at The Cooper Union<a href=\"https:\/\/jennyeagleton.tumblr.com\/post\/920097310\/paul-thek-4dd-test-cooper-union\"><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/jennyeagleton.tumblr.com\/post\/920097310\/paul-thek-4dd-test-cooper-union\">http:\/\/jennyeagleton.tumblr.com\/post\/920097310\/paul-thek-4dd-test-cooper-union<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sarah Thornton,&nbsp;<em>Seven days in the art world<\/em><\/h2>\n\n\n\n<p><a href=\"http:\/\/sarah-thornton.com\/\">http:\/\/sarah-thornton.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">timothy van laar<\/h2>\n\n\n\n<p><em>Active Sights: Art as Social Interaction<\/em>. Co-authored with Leonard Diepeveen. (New York: McGraw-Hill, 1998).<br><em>Art With a Difference: Looking at Difficult and Unfamiliar Art<\/em>. Co-authoried wiht Leonard Diepeveen. (New York: McGraw-Hill, 2001).<\/p>\n\n\n\n<p><a href=\"http:\/\/www.timothyvanlaar.com\/\">http:\/\/www.timothyvanlaar.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Laurence Weschler,&nbsp;<em>Seeing is Forgetting the Name of the Thing One Sees<\/em><\/h2>\n\n\n\n<p><a href=\"http:\/\/journalism.nyu.edu\/faculty\/lawrence-weschler\/\">http:\/\/journalism.nyu.edu\/faculty\/lawrence-weschler\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Terry Barrett articles http:\/\/www.terrybarrettosu.com\/articles.html Terry Barrett books Making Art: Form and Meaning&nbsp;(New York: McGraw-Hill, 2010).Criticizing Photographs: An Introduction to Understanding Images&nbsp;(New York: McGraw Hill, 4th edition, 2005).Interpreting Art: Reflecting, Wondering, and Responding&nbsp;(New York: McGraw-Hill, 2002).http:\/\/www.mhprofessional.com\/contributor.php?cat=115&amp;id=30564 Is beauty back? the future of art, conversation with Griselda pollock, julian stallabrass, &amp; sidsel christensen. http:\/\/iai.tv\/video\/is-beauty-back john berger,&nbsp;ways of [&hellip;]<\/p>\n","protected":false},"author":2,"parent":313,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[7,12,17,16],"class_list":["post-813","content","type-content","status-publish","hentry","topic-editing","topic-presentation","topic-text","topic-vision"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/813\/revisions"}],"predecessor-version":[{"id":814,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/813\/revisions\/814"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/313"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=813"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}