http:\/\/www.photocriticism.com\/<\/a><\/p>\n\n\n\n Fred Ritchin\u2019s blog that explores the effects of the digital, and whether more effective and expansive media strategies can now emerge.<\/a><\/p>\n\n\n\n http:\/\/www.pixelpress.org\/afterphotography\/<\/a><\/p>\n\n\n\n http:\/\/www.wired.com\/rawfile\/2011\/08\/google-street-view\/?pid=925<\/a><\/p>\n\n\n\n Curated by Cl\u00e9ment Ch\u00e9roux, Joan Fontcuberta, Erik Kessels, Martin Parr, and Joachim Schmid<\/p>\n\n\n\n http:\/\/www.rencontres-arles.com\/A11\/Home#\/CMS3&VF=ARL_3_VForm&FRM=Frame:ARL_7&SrvRsp=1&LANGSWI=1&LANG=English<\/a><\/p>\n\n\n\n http:\/\/mishka.lockandhenner.com\/blog\/?p=644<\/a><\/p>\n\n\n\n http:\/\/www.bjp-online.com\/british-journal-of-photography\/report\/2110147\/ipublish-photojournalists-ipad-tell-stories<\/a><\/p>\n\n\n\n A.D. Coleman\u2019s blog<\/p>\n\n\n\n http:\/\/nearbycafe.com\/artandphoto\/photocritic\/<\/a><\/p>\n\n\n\n http:\/\/www.courtauld.ac.uk\/people\/stallabrass-julian.shtml<\/a><\/p>\n\n\n\n http:\/\/books.google.com\/books?id=8weM94uPvWYC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false<\/a><\/p>\n\n\n\nAfter Photography<\/h2>\n\n\n\n
Pete Brook, \u201cGoogle\u2019s Mapping Tools Spawn New Breed of Art,\u201d Raw File, Wired, August 15, 2011<\/h2>\n\n\n\n
From Here On<\/em> Exhibition, Les Rencontres d\u2019Arles, July 4 \u2013 September 18, 2011<\/h2>\n\n\n\n
Mishka Henner\u2019s No Man\u2019s Land<\/h2>\n\n\n\n
Olivier Laurent, \u201ciPublish: Photojournalists turn to the iPad to tell their stories,\u201d British Journal of Photography, September 19, 2011<\/h2>\n\n\n\n
Photocritic International: A.D. Coleman on Photography and New Technology<\/h2>\n\n\n\n
Julian Stallabrass\u2019s faculty page at The Courtauld Institute of Art<\/h2>\n\n\n\n
\u201cSixty Billion Sunsets\u201d, Chapter 2 in Julian Stallabrass\u2019s book Gargantua: Manufactured Mass Culture, (New York: Verso, 1996).<\/h2>\n\n\n\n
Words Without Pictures<\/h2>\n\n\n\n