{"id":817,"date":"2025-02-10T15:31:20","date_gmt":"2025-02-10T15:31:20","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&#038;p=817"},"modified":"2025-02-10T15:31:21","modified_gmt":"2025-02-10T15:31:21","slug":"digital-internet-effect-on-photography","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/topics\/digital-internet-effect-on-photography\/","title":{"rendered":"Digital \/ Internet \u2014 Effect on Photography"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">A.D. Coleman, Photography Criticism CyberArchive<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.photocriticism.com\/\">http:\/\/www.photocriticism.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">After Photography<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Fred Ritchin\u2019s blog that explores the effects of the digital, and whether more effective and expansive media strategies can now emerge.<a href=\"http:\/\/www.pixelpress.org\/afterphotography\/\"><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.pixelpress.org\/afterphotography\/\">http:\/\/www.pixelpress.org\/afterphotography\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Pete Brook, \u201cGoogle\u2019s Mapping Tools Spawn New Breed of Art,\u201d Raw File, Wired, August 15, 2011<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.wired.com\/rawfile\/2011\/08\/google-street-view\/?pid=925\">http:\/\/www.wired.com\/rawfile\/2011\/08\/google-street-view\/?pid=925<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em>From Here On<\/em>&nbsp;Exhibition, Les Rencontres d\u2019Arles, July 4 \u2013 September 18, 2011<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Curated by Cl\u00e9ment Ch\u00e9roux, Joan Fontcuberta, Erik Kessels, Martin Parr, and Joachim Schmid<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.rencontres-arles.com\/A11\/Home#\/CMS3&amp;VF=ARL_3_VForm&amp;FRM=Frame:ARL_7&amp;SrvRsp=1&amp;LANGSWI=1&amp;LANG=English\">http:\/\/www.rencontres-arles.com\/A11\/Home#\/CMS3&amp;VF=ARL_3_VForm&amp;FRM=Frame:ARL_7&amp;SrvRsp=1&amp;LANGSWI=1&amp;LANG=English<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Mishka Henner\u2019s No Man\u2019s Land<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/mishka.lockandhenner.com\/blog\/?p=644\">http:\/\/mishka.lockandhenner.com\/blog\/?p=644<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Olivier Laurent, \u201ciPublish: Photojournalists turn to the iPad to tell their stories,\u201d British Journal of Photography, September 19, 2011<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.bjp-online.com\/british-journal-of-photography\/report\/2110147\/ipublish-photojournalists-ipad-tell-stories\">http:\/\/www.bjp-online.com\/british-journal-of-photography\/report\/2110147\/ipublish-photojournalists-ipad-tell-stories<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Photocritic International: A.D. Coleman on Photography and New Technology<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A.D. Coleman\u2019s blog<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/nearbycafe.com\/artandphoto\/photocritic\/\">http:\/\/nearbycafe.com\/artandphoto\/photocritic\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Julian Stallabrass\u2019s faculty page at The Courtauld Institute of Art<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.courtauld.ac.uk\/people\/stallabrass-julian.shtml\">http:\/\/www.courtauld.ac.uk\/people\/stallabrass-julian.shtml<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">\u201cSixty Billion Sunsets\u201d, Chapter 2 in Julian Stallabrass\u2019s book Gargantua: Manufactured Mass Culture, (New York: Verso, 1996).<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/books.google.com\/books?id=8weM94uPvWYC&amp;printsec=frontcover&amp;source=gbs_ge_summary_r&amp;cad=0#v=onepage&amp;q&amp;f=false\">http:\/\/books.google.com\/books?id=8weM94uPvWYC&amp;printsec=frontcover&amp;source=gbs_ge_summary_r&amp;cad=0#v=onepage&amp;q&amp;f=false<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Words Without Pictures<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/wordswithoutpictures.org\/main.html\">http:\/\/wordswithoutpictures.org\/main.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Jason Evans, \u201cOnline Photographic Thinking\u201d, Words Without Pictures<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/wordswithoutpictures.org\/main.html?id=343,345\">http:\/\/wordswithoutpictures.org\/main.html?id=343,345<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A.D. Coleman, Photography Criticism CyberArchive http:\/\/www.photocriticism.com\/ After Photography Fred Ritchin\u2019s blog that explores the effects of the digital, and whether more effective and expansive media strategies can now emerge. http:\/\/www.pixelpress.org\/afterphotography\/ Pete Brook, \u201cGoogle\u2019s Mapping Tools Spawn New Breed of Art,\u201d Raw File, Wired, August 15, 2011 http:\/\/www.wired.com\/rawfile\/2011\/08\/google-street-view\/?pid=925 From Here On&nbsp;Exhibition, Les Rencontres d\u2019Arles, July 4 [&hellip;]<\/p>\n","protected":false},"author":2,"parent":313,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[7,9,10,12,13,17,16],"class_list":["post-817","content","type-content","status-publish","hentry","topic-editing","topic-light-shadow","topic-photojournalism","topic-presentation","topic-reproductive-processes","topic-text","topic-vision"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"A.D. 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