{"id":851,"date":"2025-02-11T08:34:18","date_gmt":"2025-02-11T08:34:18","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&p=851"},"modified":"2025-02-11T08:34:20","modified_gmt":"2025-02-11T08:34:20","slug":"internet-web-projects","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/topics\/internet-web-projects\/","title":{"rendered":"Internet-Web Projects"},"content":{"rendered":"\n

\u00c4DA \u2018WEB<\/h2>\n\n\n\n

archive of web art produced between February 1995 through March 1998, hosted by the Walker Art Institute<\/p>\n\n\n\n

http:\/\/www.adaweb.com\/<\/a><\/p>\n\n\n\n

AIRTIGHT INTERACTIVE<\/h2>\n\n\n\n

When you type in a word and an algorithm in the websites\u2019 code searches Flickr and then displays numerous images related to that concept with links to their owners\u2019 Flickr pages.<\/p>\n\n\n\n

http:\/\/www.airtightinteractive.com\/projects\/related_tag_browser\/app\/<\/a><\/p>\n\n\n\n

MARK AMERIKA\u2019S FILMTEXT 2.0<\/em><\/h2>\n\n\n\n

www.markamerika.com\/filmtext<\/a><\/p>\n\n\n\n

CORY ARCANGEL\u2019S INTERNET PORTFOLIO WEBSITE AND PORTAL<\/h2>\n\n\n\n

http:\/\/www.coryarcangel.com\/<\/a><\/p>\n\n\n\n

LEW BALDWIN\u2019S REDSMOKE<\/em><\/h2>\n\n\n\n

http:\/\/www.redsmoke.com\/<\/a><\/p>\n\n\n\n

GISELLE BEIGUELMAN<\/a><\/h2>\n\n\n\n

http:\/\/www.desvirtual.com\/suite-4-mobile-tags-the-dissonant-place\/<\/a><\/p>\n\n\n\n

BLAH-BLAH SITES<\/h2>\n\n\n\n

http:\/\/www.desk.nl\/~you\/bla-bla\/<\/a><\/p>\n\n\n\n

NATALIE BOOKCHIN, THE INTRUDER<\/em><\/a><\/h2>\n\n\n\n

http:\/\/bookchin.net\/intruder\/index.html<\/a><\/p>\n\n\n\n

ERIKA DEVRIES, SEARCHING FOR MOTHER<\/em><\/h2>\n\n\n\n

http:\/\/searchingformother.net\/index.php<\/a><\/p>\n\n\n\n

DIGITAL ART MUSEUM<\/a><\/h2>\n\n\n\n

http:\/\/dam.org\/dox\/2315.aBbgc.H.1.De.php<\/a><\/p>\n\n\n\n

ECOARTTECH<\/h2>\n\n\n\n

Collaborative between Cary Peppermint and Lella Nadir that explores environmental issues and convergent media and technologies.<\/p>\n\n\n\n

http:\/\/www.ecoarttech.net\/<\/a><\/p>\n\n\n\n

LIZ FILARDI\u2019S I\u2019M NOT STALKING YOU; I\u2019M SOCIALIZING<\/em><\/h2>\n\n\n\n

Web project that explores how social networking changes the ways we relate to one another.<\/p>\n\n\n\n

http:\/\/turbulence.org\/Works\/stalkingsocial\/<\/a><\/p>\n\n\n\n

KEN GOLDBERG ART PROJECTS<\/h2>\n\n\n\n

http:\/\/goldberg.berkeley.edu\/art\/index.html<\/a><\/p>\n\n\n\n

YAEL KANAREK\u2019S WORLD OF AWE<\/em><\/h2>\n\n\n\n

http:\/\/www.worldofawe.net<\/a><\/p>\n\n\n\n

CHRIS LANDAU\u2019S THE FLOCKING PARTY<\/em><\/h2>\n\n\n\n

http:\/\/www.theflockingparty.com\/home.html<\/a><\/p>\n\n\n\n

RE MADE COMPANY<\/h2>\n\n\n\n

http:\/\/remadeco.org\/<\/a><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

SPELL WITH FLICKR<\/h2>\n\n\n\n

Type in a word and the program will locate images of those letters on flickr.<\/p>\n\n\n\n

http:\/\/metaatem.net\/words\/<\/a><\/p>\n\n\n\n

JULIAN STALLABRASS, \u201cCAN ART HISTORY DIGEST NET ART?\u201d, THE COURTAULD INSTITUTE OF ART, 2011<\/h2>\n\n\n\n

http:\/\/www.courtauld.ac.uk\/people\/stallabrass_julian\/2011-additions\/Digest.pdf<\/a><\/p>\n\n\n\n

TURBULENCE<\/h2>\n\n\n\n

Turbulence commissions, exhibits and archives new hybrid networked art forms.<\/p>\n\n\n\n

http:\/\/www.turbulence.org\/<\/a><\/p>\n\n\n\n

VICTORIA VESNA<\/a><\/h2>\n\n\n\n

http:\/\/www.bodiesinc.ucla.edu\/<\/a><\/p>\n\n\n\n

THE WHITNEY MUSEUM OF ART PORTAL TO NET ART<\/strong><\/h2>\n\n\n\n

http:\/\/artport.whitney.org\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c4DA \u2018WEB archive of web art produced between February 1995 through March 1998, hosted by the Walker Art Institute http:\/\/www.adaweb.com\/ AIRTIGHT INTERACTIVE When you type in a word and an algorithm in the websites\u2019 code searches Flickr and then displays numerous images related to that concept with links to their owners\u2019 Flickr pages. http:\/\/www.airtightinteractive.com\/projects\/related_tag_browser\/app\/ MARK […]<\/p>\n","protected":false},"author":2,"parent":313,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[7,8,11,12,13,14,17,16],"class_list":["post-851","content","type-content","status-publish","hentry","topic-editing","topic-landscape","topic-portraiture","topic-presentation","topic-reproductive-processes","topic-series-sequence","topic-text","topic-vision"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/851\/revisions"}],"predecessor-version":[{"id":853,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/851\/revisions\/853"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/313"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=851"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}