{"id":909,"date":"2025-02-11T09:18:48","date_gmt":"2025-02-11T09:18:48","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&#038;p=909"},"modified":"2025-02-11T09:18:50","modified_gmt":"2025-02-11T09:18:50","slug":"social-media","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/topics\/social-media\/","title":{"rendered":"Social Media"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">ARE YOU REALLY MY FRIEND: THE FACEBOOK PHOTO PROJECT<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.facebookportraitproject.com\/\">http:\/\/www.facebookportraitproject.com\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"545\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/hollander_ChrisWyman.jpg\" alt=\"\" class=\"wp-image-910\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/hollander_ChrisWyman.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/hollander_ChrisWyman-300x300.jpg 300w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/hollander_ChrisWyman-150x150.jpg 150w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Tanja Hollander<\/strong><br>title: Christ Wyman, Queens, New York<br>date: 2011<br>relationship: friends, met through Emma Hollander<br>years known: 0-5<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">EVAN BADEN<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.evanbaden.com\/\">http:\/\/www.evanbaden.com\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"438\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/baden_Emily_2010.jpg\" alt=\"\" class=\"wp-image-834\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/baden_Emily_2010.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/baden_Emily_2010-300x241.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Evan Baden<\/strong>,\u00a0<em>Emily<\/em>, 2010, from the series\u00a0<em>Technically Intimate<\/em>, 2008-2010. 40&#215;50&#8243;, pigmented inkjet print. Edition of 5.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">NICK BILTON, \u201cDISRUPTIONS: SOCIAL MEDIA IMAGES FORM A NEW LANGUAGE ONLINE\u201d, THE NEW YORK TIMES, JUNE 30, 2013<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/bits.blogs.nytimes.com\/2013\/06\/30\/disruptions-social-media-images-form-a-new-language-online\/?smid=fb-share\">http:\/\/bits.blogs.nytimes.com\/2013\/06\/30\/disruptions-social-media-images-form-a-new-language-online\/?smid=fb-share<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">DL CADE, \u201cNEW YORK TIMES PUTS INSTAGRAM IMAGE ON THE FRONT PAGE,\u201d PETAPIXEL, APRIL 2, 2013<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/petapixel.com\/2013\/04\/02\/ny-times-puts-instagram-image-on-the-front-page\/\">http:\/\/petapixel.com\/2013\/04\/02\/ny-times-puts-instagram-image-on-the-front-page\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">KYLE CHAYKA AND TOM CHEN, \u201cVIDEO: ARTIST MAN BARTLETT TURNS SOCIAL MEDIA INTO PLAYFUL SOCIAL CRITIQUE,\u201d ON BLOUIN ARTINFO, JULY 25, 2012<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.blouinartinfo.com\/news\/story\/814992\/video-artist-man-bartlett-turns-social-media-into-playful-social-critique\">http:\/\/www.blouinartinfo.com\/news\/story\/814992\/video-artist-man-bartlett-turns-social-media-into-playful-social-critique<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">PAOLO CIRIO<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.paolocirio.net\/\">http:\/\/www.paolocirio.net\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Edgar Gomez cruz and eric T. Meyer, &#8220;Creation and control in the photographic process: IPHONES AND THE EMERGING FIFTH MOMENT OF PHOTOGRAPHY,&#8221;&nbsp;<em>PHOTOGRAPHIES<\/em>&nbsp;5(2), 2012<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/papers.ssrn.com\/sol3\/papers.cfm?abstract_id=2130489\">http:\/\/papers.ssrn.com\/sol3\/papers.cfm?abstract_id=2130489<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">BEN DAVIS, \u2018 \u201cSOCIAL MEDIA ART\u201d IN THE EXPANDED FIELD\u2019, ARTNET<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.artnet.com\/magazineus\/reviews\/davis\/art-and-social-media8-4-10.asp\">http:\/\/www.artnet.com\/magazineus\/reviews\/davis\/art-and-social-media8-4-10.asp#<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ben Davis, &#8220;Ways of Seeing Instagram,&#8221; ArtNet, June 24, 2014<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/news.artnet.com\/art-world\/ways-of-seeing-instagram-37635\">http:\/\/news.artnet.com\/art-world\/ways-of-seeing-instagram-37635<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">DECODE: DIGITAL DESIGN SENSATIONS EXHIBITION, VICTORIA &amp; ALBERT MUSEUM, 2010, Dezeen magazine<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.dezeen.com\/2009\/12\/14\/decode-digital-design-sensations-at-the-va\/\">http:\/\/www.dezeen.com\/2009\/12\/14\/decode-digital-design-sensations-at-the-va\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">HASAN ELAHI<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/elahi.umd.edu\/\">http:\/\/elahi.umd.edu\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"393\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/elahi_tracking_1.jpg\" alt=\"\" class=\"wp-image-911\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/elahi_tracking_1.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/elahi_tracking_1-300x216.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\">Hasan Elahi, from\u00a0<em>Tracking Transience<\/em><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">FACE TO FACEBOOK.NET<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.face-to-facebook.net\/\">http:\/\/www.face-to-facebook.net\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">LIZ FILARDI,&nbsp;<em>I\u2019M NOT STALKING YOU; I\u2019M SOCIALIZING<\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/turbulence.org\/Works\/stalkingsocial\/\">http:\/\/turbulence.org\/Works\/stalkingsocial\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">FIRST LOOK: NEW ART ONLINE, THE NEW MUSEUM<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.newmuseum.org\/exhibitions\/online\">http:\/\/www.newmuseum.org\/exhibitions\/online<\/a>&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">HARRELL FLETCHER AND MIRANDA JULY,&nbsp;<em>LEARNING TO LOVE YOU MORE<\/em><a href=\"http:\/\/www.learningtoloveyoumore.com\/\"><\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.learningtoloveyoumore.com\/\">http:\/\/www.learningtoloveyoumore.com<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"382\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/fletcher_learning_to_love.jpg\" alt=\"\" class=\"wp-image-912\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/fletcher_learning_to_love.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/fletcher_learning_to_love-300x210.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\">Harrell Fletcher and Miranda July,\u00a0<em>Learning to Love You More<\/em>, 2002-2009.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><em>FREE<\/em>&nbsp;EXHIBITION, THE NEW MUSEUM, 2010<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/archive.newmuseum.org\/index.php\/Detail\/Occurrence\/Show\/occurrence_id\/1092\">http:\/\/archive.newmuseum.org\/index.php\/Detail\/Occurrence\/Show\/occurrence_id\/1092<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">JACOB Gaboury, &#8220;Immaterial Incoherence: Art Collective JOGGING,&#8221; Rhizome, May 5, 2010<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/rhizome.org\/editorial\/2010\/may\/5\/immaterial-incoherence\/\">http:\/\/rhizome.org\/editorial\/2010\/may\/5\/immaterial-incoherence\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">TRACEY HARNISH, \u201cSOCIAL MEDIA AND THE UNKNOWN ARTIST\u201d (OLIVER WASOW), HUFFINGTON POST, MAY 10, 2013<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<a href=\"http:\/\/www.huffingtonpost.com\/tracey-harnish\/social-media-and-the-unknown-artist_b_3249768.html\">http:\/\/www.huffingtonpost.com\/tracey-harnish\/social-media-and-the-unknown-artist_b_3249768.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">JONATHAN HARRIS AND SEP KAMVAR,&nbsp;<em>WE FEEL FINE<\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.wefeelfine.org\/creators.html\">http:\/\/www.wefeelfine.org\/creators.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">MATT HELD<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/heldstudios.com\/\">http:\/\/heldstudios.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">LEANNE ITALIE, \u201cWHAT DID NARCISSUS SAY TO INSTAGRAM? SELFIE TIME\u201d, THE BIG STORY, AP, JUNE 25, 2013<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/bigstory.ap.org\/article\/what-did-narcissus-say-instagram-selfie-time\">http:\/\/bigstory.ap.org\/article\/what-did-narcissus-say-instagram-selfie-time<\/a>&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>BENJAMIN LOTAN<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/benjaminlotan.com\/\">http:\/\/benjaminlotan.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ALESSANDRO LUDOVICO<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.transmediale.de\/content\/alessandro-ludovico\">http:\/\/www.transmediale.de\/content\/alessandro-ludovico<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">LEV MANOVICH VIDEOS, THE EUROPEAN GRADUATE SCHOOL<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.egs.edu\/faculty\/lev-manovich\/videos\/\">http:\/\/www.egs.edu\/faculty\/lev-manovich\/videos\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">LAIS PONTES<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.laispontes.com\/\">http:\/\/www.laispontes.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ANDREW REINER, \u201cLOOKING FOR INTIMACY IN THE AGE OF FACEBOOK,\u201d THE NEW YORK TIMES, NOVEMBER 1, 2013<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.nytimes.com\/2013\/11\/03\/education\/edlife\/looking-for-intimacy-in-the-age-of-facebook.html?emc=eta1&amp;_r=0\">http:\/\/www.nytimes.com\/2013\/11\/03\/education\/edlife\/looking-for-intimacy-in-the-age-of-facebook.html?emc=eta1&amp;_r=0<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">RE MADE COMPANY<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/remadeco.org\/\">http:\/\/remadeco.org\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"361\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/remadecompany_screenshot.jpg\" alt=\"\" class=\"wp-image-852\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/remadecompany_screenshot.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/remadecompany_screenshot-300x199.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">WHITNEY RICHARDSON, \u201cBRINGING INVISIBLE STORIES TO INSTAGRAM FOLLOWERS\u201d (RADCLIFFE ROYE), LENS, THE NEW YORK TIMES, JUNE 26, 2013<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/lens.blogs.nytimes.com\/2013\/06\/26\/bringing-invisible-stories-to-instagram-followers\/\">http:\/\/lens.blogs.nytimes.com\/2013\/06\/26\/bringing-invisible-stories-to-instagram-followers\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Jerry saltz, &#8220;art at arm&#8217;s length: A History of the selfie&#8221;, vulture, January 26, 2014<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.vulture.com\/2014\/01\/history-of-the-selfie.html\">http:\/\/www.vulture.com\/2014\/01\/history-of-the-selfie.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">THE SOCIAL GRAPH AT HYPERALLERGIC<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/hyperallergic.com\/thesocialgraph\/\">http:\/\/hyperallergic.com\/thesocialgraph\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Brad Troemel, Artie Vierkant, and Ben Vickers,&nbsp; &#8220;Club Kids: The Social Life of ARtists on Facebook,&#8221; Dis Magazine<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/dismagazine.com\/discussion\/29786\/club-kids-the-social-life-of-artists-on-facebook\/\">http:\/\/dismagazine.com\/discussion\/29786\/club-kids-the-social-life-of-artists-on-facebook\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">OLIVER WASOW<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/oliverwasow.com\/\">http:\/\/oliverwasow.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">RACHEL PERRY WELTY<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.rachelperrywelty.com\/www.rachelperrywelty.com\/Welcome.html\">http:\/\/www.rachelperrywelty.com\/www.rachelperrywelty.com\/Welcome.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ALEX WILLIAMS, &#8220;A DEFINING QUESTION IN AN iPhone Age: Live for the Moment or Record it?&#8221;, The New York Times, September 26, 2014<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.nytimes.com\/2014\/09\/28\/fashion\/a-defining-question-in-an-iphone-age-live-for-the-moment-or-record-it.html\">http:\/\/www.nytimes.com\/2014\/09\/28\/fashion\/a-defining-question-in-an-iphone-age-live-for-the-moment-or-record-it.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">JENNA WORTHAM, \u201cINSTAGRAM VIDEO AND THE DEATH OF FANTASY,\u201d BITS, THE NEW YORK TIMES, JUNE 24, 2013<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/bits.blogs.nytimes.com\/2013\/06\/24\/digital-diary-instagram-video-and-death-of-fantasy\/\">http:\/\/bits.blogs.nytimes.com\/2013\/06\/24\/digital-diary-instagram-video-and-death-of-fantasy\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">AN XIAO<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/anxiaostudio.com\/\">http:\/\/anxiaostudio.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ARE YOU REALLY MY FRIEND: THE FACEBOOK PHOTO PROJECT http:\/\/www.facebookportraitproject.com\/ EVAN BADEN http:\/\/www.evanbaden.com\/ NICK BILTON, \u201cDISRUPTIONS: SOCIAL MEDIA IMAGES FORM A NEW LANGUAGE ONLINE\u201d, THE NEW YORK TIMES, JUNE 30, 2013 http:\/\/bits.blogs.nytimes.com\/2013\/06\/30\/disruptions-social-media-images-form-a-new-language-online\/?smid=fb-share DL CADE, \u201cNEW YORK TIMES PUTS INSTAGRAM IMAGE ON THE FRONT PAGE,\u201d PETAPIXEL, APRIL 2, 2013 http:\/\/petapixel.com\/2013\/04\/02\/ny-times-puts-instagram-image-on-the-front-page\/ KYLE CHAYKA AND TOM CHEN, \u201cVIDEO: [&hellip;]<\/p>\n","protected":false},"author":2,"parent":313,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[6,7,11,12,13,14,17,16],"class_list":["post-909","content","type-content","status-publish","hentry","topic-documentary-style","topic-editing","topic-portraiture","topic-presentation","topic-reproductive-processes","topic-series-sequence","topic-text","topic-vision"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"ARE YOU REALLY MY FRIEND: THE FACEBOOK PHOTO PROJECT http:\/\/www.facebookportraitproject.com\/ EVAN BADEN http:\/\/www.evanbaden.com\/ NICK BILTON, \u201cDISRUPTIONS: SOCIAL MEDIA IMAGES FORM A NEW LANGUAGE ONLINE\u201d, THE NEW YORK TIMES, JUNE 30, 2013 http:\/\/bits.blogs.nytimes.com\/2013\/06\/30\/disruptions-social-media-images-form-a-new-language-online\/?smid=fb-share DL CADE, \u201cNEW YORK TIMES PUTS INSTAGRAM IMAGE ON THE FRONT PAGE,\u201d PETAPIXEL, APRIL 2, 2013 http:\/\/petapixel.com\/2013\/04\/02\/ny-times-puts-instagram-image-on-the-front-page\/ KYLE CHAYKA AND TOM CHEN, \u201cVIDEO:\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"textbooksonlinegod\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/topics\/social-media\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO Pro (AIOSEO) 5.0.0.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Reframing Photography - Theory and Practice\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Social Media - Reframing Photography\" 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