{"id":909,"date":"2025-02-11T09:18:48","date_gmt":"2025-02-11T09:18:48","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&p=909"},"modified":"2025-02-11T09:18:50","modified_gmt":"2025-02-11T09:18:50","slug":"social-media","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/topics\/social-media\/","title":{"rendered":"Social Media"},"content":{"rendered":"\n

ARE YOU REALLY MY FRIEND: THE FACEBOOK PHOTO PROJECT<\/h2>\n\n\n\n

http:\/\/www.facebookportraitproject.com\/<\/a><\/p>\n\n\n\n

\"\"
Tanja Hollander<\/strong>
title: Christ Wyman, Queens, New York
date: 2011
relationship: friends, met through Emma Hollander
years known: 0-5<\/figcaption><\/figure>\n\n\n\n

EVAN BADEN<\/h2>\n\n\n\n

http:\/\/www.evanbaden.com\/<\/a><\/p>\n\n\n\n

\"\"
Evan Baden<\/strong>,\u00a0Emily<\/em>, 2010, from the series\u00a0Technically Intimate<\/em>, 2008-2010. 40×50″, pigmented inkjet print. Edition of 5.<\/figcaption><\/figure>\n\n\n\n

NICK BILTON, \u201cDISRUPTIONS: SOCIAL MEDIA IMAGES FORM A NEW LANGUAGE ONLINE\u201d, THE NEW YORK TIMES, JUNE 30, 2013<\/h2>\n\n\n\n

http:\/\/bits.blogs.nytimes.com\/2013\/06\/30\/disruptions-social-media-images-form-a-new-language-online\/?smid=fb-share<\/a><\/p>\n\n\n\n

DL CADE, \u201cNEW YORK TIMES PUTS INSTAGRAM IMAGE ON THE FRONT PAGE,\u201d PETAPIXEL, APRIL 2, 2013<\/h2>\n\n\n\n

http:\/\/petapixel.com\/2013\/04\/02\/ny-times-puts-instagram-image-on-the-front-page\/<\/a><\/p>\n\n\n\n

KYLE CHAYKA AND TOM CHEN, \u201cVIDEO: ARTIST MAN BARTLETT TURNS SOCIAL MEDIA INTO PLAYFUL SOCIAL CRITIQUE,\u201d ON BLOUIN ARTINFO, JULY 25, 2012<\/h2>\n\n\n\n

http:\/\/www.blouinartinfo.com\/news\/story\/814992\/video-artist-man-bartlett-turns-social-media-into-playful-social-critique<\/a><\/p>\n\n\n\n

PAOLO CIRIO<\/h2>\n\n\n\n

http:\/\/www.paolocirio.net\/<\/a><\/p>\n\n\n\n

Edgar Gomez cruz and eric T. Meyer, “Creation and control in the photographic process: IPHONES AND THE EMERGING FIFTH MOMENT OF PHOTOGRAPHY,” PHOTOGRAPHIES<\/em> 5(2), 2012<\/h2>\n\n\n\n

http:\/\/papers.ssrn.com\/sol3\/papers.cfm?abstract_id=2130489<\/a><\/p>\n\n\n\n

BEN DAVIS, \u2018 \u201cSOCIAL MEDIA ART\u201d IN THE EXPANDED FIELD\u2019, ARTNET<\/h2>\n\n\n\n

http:\/\/www.artnet.com\/magazineus\/reviews\/davis\/art-and-social-media8-4-10.asp#<\/a><\/p>\n\n\n\n

Ben Davis, “Ways of Seeing Instagram,” ArtNet, June 24, 2014<\/h2>\n\n\n\n

http:\/\/news.artnet.com\/art-world\/ways-of-seeing-instagram-37635<\/a><\/p>\n\n\n\n

DECODE: DIGITAL DESIGN SENSATIONS EXHIBITION, VICTORIA & ALBERT MUSEUM, 2010, Dezeen magazine<\/h2>\n\n\n\n

http:\/\/www.dezeen.com\/2009\/12\/14\/decode-digital-design-sensations-at-the-va\/<\/a><\/p>\n\n\n\n

HASAN ELAHI<\/h2>\n\n\n\n

http:\/\/elahi.umd.edu\/<\/a><\/p>\n\n\n\n

\"\"
Hasan Elahi, from\u00a0Tracking Transience<\/em><\/figcaption><\/figure>\n\n\n\n

FACE TO FACEBOOK.NET<\/h2>\n\n\n\n

http:\/\/www.face-to-facebook.net\/<\/a><\/p>\n\n\n\n

LIZ FILARDI, I\u2019M NOT STALKING YOU; I\u2019M SOCIALIZING<\/em><\/h2>\n\n\n\n

http:\/\/turbulence.org\/Works\/stalkingsocial\/<\/a><\/p>\n\n\n\n

FIRST LOOK: NEW ART ONLINE, THE NEW MUSEUM<\/h2>\n\n\n\n

http:\/\/www.newmuseum.org\/exhibitions\/online<\/a> <\/p>\n\n\n\n

HARRELL FLETCHER AND MIRANDA JULY, LEARNING TO LOVE YOU MORE<\/em><\/a><\/h2>\n\n\n\n

http:\/\/www.learningtoloveyoumore.com<\/a><\/p>\n\n\n\n

\"\"
Harrell Fletcher and Miranda July,\u00a0Learning to Love You More<\/em>, 2002-2009.<\/figcaption><\/figure>\n\n\n\n

FREE<\/em> EXHIBITION, THE NEW MUSEUM, 2010<\/h2>\n\n\n\n

http:\/\/archive.newmuseum.org\/index.php\/Detail\/Occurrence\/Show\/occurrence_id\/1092<\/a><\/p>\n\n\n\n

JACOB Gaboury, “Immaterial Incoherence: Art Collective JOGGING,” Rhizome, May 5, 2010<\/h2>\n\n\n\n

http:\/\/rhizome.org\/editorial\/2010\/may\/5\/immaterial-incoherence\/<\/a><\/p>\n\n\n\n

TRACEY HARNISH, \u201cSOCIAL MEDIA AND THE UNKNOWN ARTIST\u201d (OLIVER WASOW), HUFFINGTON POST, MAY 10, 2013<\/h2>\n\n\n\n

 http:\/\/www.huffingtonpost.com\/tracey-harnish\/social-media-and-the-unknown-artist_b_3249768.html<\/a><\/p>\n\n\n\n

JONATHAN HARRIS AND SEP KAMVAR, WE FEEL FINE<\/em><\/h2>\n\n\n\n

http:\/\/www.wefeelfine.org\/creators.html<\/a><\/p>\n\n\n\n

MATT HELD<\/h2>\n\n\n\n

http:\/\/heldstudios.com\/<\/a><\/p>\n\n\n\n

LEANNE ITALIE, \u201cWHAT DID NARCISSUS SAY TO INSTAGRAM? SELFIE TIME\u201d, THE BIG STORY, AP, JUNE 25, 2013<\/h2>\n\n\n\n

http:\/\/bigstory.ap.org\/article\/what-did-narcissus-say-instagram-selfie-time<\/a> <\/p>\n\n\n\n

BENJAMIN LOTAN<\/strong><\/h2>\n\n\n\n

http:\/\/benjaminlotan.com\/<\/a><\/p>\n\n\n\n

ALESSANDRO LUDOVICO<\/h2>\n\n\n\n

http:\/\/www.transmediale.de\/content\/alessandro-ludovico<\/a><\/p>\n\n\n\n

LEV MANOVICH VIDEOS, THE EUROPEAN GRADUATE SCHOOL<\/h2>\n\n\n\n

http:\/\/www.egs.edu\/faculty\/lev-manovich\/videos\/<\/a><\/p>\n\n\n\n

LAIS PONTES<\/h2>\n\n\n\n

http:\/\/www.laispontes.com\/<\/a><\/p>\n\n\n\n

ANDREW REINER, \u201cLOOKING FOR INTIMACY IN THE AGE OF FACEBOOK,\u201d THE NEW YORK TIMES, NOVEMBER 1, 2013<\/h2>\n\n\n\n

http:\/\/www.nytimes.com\/2013\/11\/03\/education\/edlife\/looking-for-intimacy-in-the-age-of-facebook.html?emc=eta1&_r=0<\/a><\/p>\n\n\n\n

RE MADE COMPANY<\/h2>\n\n\n\n

http:\/\/remadeco.org\/<\/a><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

WHITNEY RICHARDSON, \u201cBRINGING INVISIBLE STORIES TO INSTAGRAM FOLLOWERS\u201d (RADCLIFFE ROYE), LENS, THE NEW YORK TIMES, JUNE 26, 2013<\/h2>\n\n\n\n

http:\/\/lens.blogs.nytimes.com\/2013\/06\/26\/bringing-invisible-stories-to-instagram-followers\/<\/a><\/p>\n\n\n\n

Jerry saltz, “art at arm’s length: A History of the selfie”, vulture, January 26, 2014<\/h2>\n\n\n\n

http:\/\/www.vulture.com\/2014\/01\/history-of-the-selfie.html<\/a><\/p>\n\n\n\n

THE SOCIAL GRAPH AT HYPERALLERGIC<\/h2>\n\n\n\n

http:\/\/hyperallergic.com\/thesocialgraph\/<\/a><\/p>\n\n\n\n

Brad Troemel, Artie Vierkant, and Ben Vickers,  “Club Kids: The Social Life of ARtists on Facebook,” Dis Magazine<\/h2>\n\n\n\n

http:\/\/dismagazine.com\/discussion\/29786\/club-kids-the-social-life-of-artists-on-facebook\/<\/a><\/p>\n\n\n\n

OLIVER WASOW<\/h2>\n\n\n\n

http:\/\/oliverwasow.com\/<\/a><\/p>\n\n\n\n

RACHEL PERRY WELTY<\/h2>\n\n\n\n

http:\/\/www.rachelperrywelty.com\/www.rachelperrywelty.com\/Welcome.html<\/a><\/p>\n\n\n\n

ALEX WILLIAMS, “A DEFINING QUESTION IN AN iPhone Age: Live for the Moment or Record it?”, The New York Times, September 26, 2014<\/h2>\n\n\n\n

http:\/\/www.nytimes.com\/2014\/09\/28\/fashion\/a-defining-question-in-an-iphone-age-live-for-the-moment-or-record-it.html<\/a><\/p>\n\n\n\n

JENNA WORTHAM, \u201cINSTAGRAM VIDEO AND THE DEATH OF FANTASY,\u201d BITS, THE NEW YORK TIMES, JUNE 24, 2013<\/h2>\n\n\n\n

http:\/\/bits.blogs.nytimes.com\/2013\/06\/24\/digital-diary-instagram-video-and-death-of-fantasy\/<\/a><\/p>\n\n\n\n

AN XIAO<\/h2>\n\n\n\n

http:\/\/anxiaostudio.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

ARE YOU REALLY MY FRIEND: THE FACEBOOK PHOTO PROJECT http:\/\/www.facebookportraitproject.com\/ EVAN BADEN http:\/\/www.evanbaden.com\/ NICK BILTON, \u201cDISRUPTIONS: SOCIAL MEDIA IMAGES FORM A NEW LANGUAGE ONLINE\u201d, THE NEW YORK TIMES, JUNE 30, 2013 http:\/\/bits.blogs.nytimes.com\/2013\/06\/30\/disruptions-social-media-images-form-a-new-language-online\/?smid=fb-share DL CADE, \u201cNEW YORK TIMES PUTS INSTAGRAM IMAGE ON THE FRONT PAGE,\u201d PETAPIXEL, APRIL 2, 2013 http:\/\/petapixel.com\/2013\/04\/02\/ny-times-puts-instagram-image-on-the-front-page\/ KYLE CHAYKA AND TOM CHEN, \u201cVIDEO: […]<\/p>\n","protected":false},"author":2,"parent":313,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[6,7,11,12,13,14,17,16],"class_list":["post-909","content","type-content","status-publish","hentry","topic-documentary-style","topic-editing","topic-portraiture","topic-presentation","topic-reproductive-processes","topic-series-sequence","topic-text","topic-vision"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/909\/revisions"}],"predecessor-version":[{"id":913,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/909\/revisions\/913"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/313"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=909"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}