{"id":925,"date":"2025-02-11T09:24:27","date_gmt":"2025-02-11T09:24:27","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&#038;p=925"},"modified":"2025-02-11T09:24:29","modified_gmt":"2025-02-11T09:24:29","slug":"tourism","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/topics\/tourism\/","title":{"rendered":"Tourism"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>Curt Teich Postcard Archive<\/strong><\/h2>\n\n\n\n<p>Most extensive postcard collection in America. Wauconda, IL.<br><a href=\"http:\/\/www.lcfpd.org\/teich_archives\/\">http:\/\/www.lcfpd.org\/teich_archives\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Alex Gillespie, &#8220;Tourist Photography and the Reverse Gaze.&#8221;<\/h2>\n\n\n\n<p><em>Ethos<\/em>&nbsp;34.3 (2006): 343-66, at Academia.edu.<a href=\"http:\/\/lse.academia.edu\/AlexGillespie\/Papers\/89836\/Tourist_photography_and_the_reverse_gaze\"><br>http:\/\/lse.academia.edu\/AlexGillespie\/Papers\/89836\/Tourist_photography_and_the_reverse_gaze<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Juliet Hinely<\/h2>\n\n\n\n<p>Interdisciplinary artist using vernacular photographs, tourist ephemera, and American landmarks.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.reframingphotography.com\/page\/juliet-hinely\">http:\/\/www.reframingphotography.com\/page\/juliet-hinely<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Michael Hughes<\/h2>\n\n\n\n<p>Souvenirs photographed in situ.<br><a href=\"http:\/\/www.hughes-photography.eu\/\">http:\/\/www.hughes-photography.eu\/<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Saundra Marcel, \u201cSouvenir as Art, AIGA, August 24, 2010<\/strong><\/h3>\n\n\n\n<p><a href=\"http:\/\/www.aiga.org\/souvenir-as-art\/\">http:\/\/www.aiga.org\/souvenir-as-art\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Tseng Kwong Chi<\/h2>\n\n\n\n<p>Chinese photographer who explored America and personal identity through tourist destinations,<br><a href=\"http:\/\/www.tsengkwongchi.com\/index.html\">http:\/\/www.tsengkwongchi.com\/index.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Jonas Larsen, &#8220;Families Seen Sightseeing: Performativity of Tourist Photography.&#8221;<\/strong><\/h2>\n\n\n\n<p><em>Space and Culture<\/em>&nbsp;8.4 (2005): 416-34, at Sage Journals.<a href=\"http:\/\/sac.sagepub.com\/content\/8\/4\/416.short?rss=1&amp;ssource=mfc&amp;patientinform-links=yes&amp;legid=spsac;8\/4\/416\"><br>http:\/\/sac.sagepub.com\/content\/8\/4\/416.short?rss=1&amp;ssource=mfc&amp;patientinform-links=yes&amp;legid=spsac;8\/4\/416<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Lucy R. Lippard,&nbsp;<em>On the Beaten Track: Tourism, Art and Place<\/em>.<\/h2>\n\n\n\n<p>New York: New, 1999.<a href=\"http:\/\/www.aaa.si.edu\/collections\/lucy-r-lippard-papers-7895\/more\"><br>http:\/\/www.aaa.si.edu\/collections\/lucy-r-lippard-papers-7895\/more<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Roger Minick<\/h2>\n\n\n\n<p>Mostly candid photographs of sightseers at landmarks across America.<br><a href=\"http:\/\/www.rogerminick.com\/SightSeerComplete\/yosemite.php?w=yosemite&amp;bk=g2\">http:\/\/www.rogerminick.com\/SightSeerComplete\/yosemite.php?w=yosemite&amp;bk=g2<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Photo Tourism Project at University of Washington<\/strong><a href=\"http:\/\/phototour.cs.washington.edu\/\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/phototour.cs.washington.edu\/\">http:\/\/phototour.cs.washington.edu\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Mike Robinson and David Picard.&nbsp;<em>The Framed World: Tourism, Tourists and Photography<\/em>.<\/strong><\/h2>\n\n\n\n<p>Farnham, England: Ashgate Pub., 2009.<a href=\"http:\/\/www.leedsmet.ac.uk\/international\/tourism\/index_D428F3F03107493E8C1E4D425ADA6391.htm\"><br>http:\/\/www.leedsmet.ac.uk\/international\/tourism\/index_D428F3F03107493E8C1E4D425ADA6391.htm<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Corrine Vionette<\/strong><\/h2>\n\n\n\n<p>Composite photographs of tourist landmarks.<br><a href=\"http:\/\/www.corinnevionnet.com\/\">http:\/\/www.corinnevionnet.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Ellen Zweig<\/strong><\/h2>\n\n\n\n<p>Various projects exploring the Victorian female tourist using a camera obscura.<br><a href=\"http:\/\/ezweig.com\/installationperformance-2\/\">http:\/\/ezweig.com\/installationperformance-2\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curt Teich Postcard Archive Most extensive postcard collection in America. Wauconda, IL.http:\/\/www.lcfpd.org\/teich_archives\/ Alex Gillespie, &#8220;Tourist Photography and the Reverse Gaze.&#8221; Ethos&nbsp;34.3 (2006): 343-66, at Academia.edu.http:\/\/lse.academia.edu\/AlexGillespie\/Papers\/89836\/Tourist_photography_and_the_reverse_gaze Juliet Hinely Interdisciplinary artist using vernacular photographs, tourist ephemera, and American landmarks. http:\/\/www.reframingphotography.com\/page\/juliet-hinely Michael Hughes Souvenirs photographed in situ.http:\/\/www.hughes-photography.eu\/ Saundra Marcel, \u201cSouvenir as Art, AIGA, August 24, 2010 http:\/\/www.aiga.org\/souvenir-as-art\/ Tseng [&hellip;]<\/p>\n","protected":false},"author":2,"parent":313,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[6,8,10,11,12,14,17,16],"class_list":["post-925","content","type-content","status-publish","hentry","topic-documentary-style","topic-landscape","topic-photojournalism","topic-portraiture","topic-presentation","topic-series-sequence","topic-text","topic-vision"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/925\/revisions"}],"predecessor-version":[{"id":926,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/925\/revisions\/926"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/313"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=925"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}