{"id":929,"date":"2025-02-11T09:30:51","date_gmt":"2025-02-11T09:30:51","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&p=929"},"modified":"2025-02-11T09:30:53","modified_gmt":"2025-02-11T09:30:53","slug":"war","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/topics\/war\/","title":{"rendered":"War"},"content":{"rendered":"\n

The Reframing Photography<\/em>: Theory and Practice<\/em><\/a> book discusses many works and issues related to photography and war, including the ethics of reproduction, the relationship between the media, the government, and the public, how photography represented the “realities” of war, and censorship and suppression of imagery during war. A list of links with related research material is below.<\/p>\n\n\n\n

Margot Adler, \u201cThe Vietnam War, Through Eddie Adams\u2019 Lens,\u201d  All Things Considered, NPR, March 24, 2009<\/h2>\n\n\n\n

http:\/\/www.npr.org\/templates\/story\/story.php?storyId=102112403<\/a><\/p>\n\n\n\n

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Eddie Adams<\/strong>,\u00a0General Nguyen Ngoc Loan executing a Vietcong prisoner, Nguyen Van Lem, on a Saigon street, February 1, 1968<\/em>. 1968. Silver print, 8 x 10in. \u00a9 AP\/Press Association Images.<\/figcaption><\/figure>\n\n\n\n
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Yasumasa Morimura<\/strong>,\u00a0A Requiem: VIETNAM WAR 1968 \u2013 1991<\/em>, 2001. Gelatin silver print mounted on Alpolic, 120 x 150cm, Edition 5. Courtesy Galerie Thaddaeus Ropac, Paris\/Salzburg.<\/figcaption><\/figure>\n\n\n\n
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Vik Muniz<\/strong>,\u00a0Memory Rendering of Saigon Execution of Vietcong Suspect<\/em>, from the\u00a0Best of Life<\/em>\u00a0series, 1989, photograph. \u00a9 Vik Muniz\/VAGA, New York\/DACS, London 2010.<\/figcaption><\/figure>\n\n\n\n

photography and the civil war, 1861-1865, the metropolitan museum of art<\/h2>\n\n\n\n

http:\/\/www.metmuseum.org\/toah\/hd\/phcw\/hd_phcw.htm<\/a><\/p>\n\n\n\n

Understanding War Through Imagery: The Civil War in American Memory, U.S. Army Heritage & Education Center (USAHEC)<\/h2>\n\n\n\n

http:\/\/www.carlisle.army.mil\/AHEC\/AHM\/civilwarimagery\/index.cfm<\/a><\/p>\n\n\n\n

Fulya Ertem, “The Pose in Early POrtrait Photography: Questioning Attempts to Appropriate the Past.” Image & Narrative, July 2006.<\/h2>\n\n\n\n

http:\/\/www.imageandnarrative.be\/inarchive\/painting\/fulya.htm<\/a><\/p>\n\n\n\n

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Unknown photographer,\u00a0Portrait of a man in a military uniform,\u00a0including a sword, medals, and epaulets<\/em><\/strong>. n.d. (c. 1890-1920). Photogravure, 4.0 x 7.875 inches. The Schlesinger History of Women in America Collection, Photograph Number: A47-18-1. Courtesy of The Schlesinger Library, Radcliffe Institute, Harvard University.<\/figcaption><\/figure>\n\n\n\n

Roger Fenton Crimean war photos at the library of congress<\/h2>\n\n\n\n

http:\/\/www.loc.gov\/pictures\/collection\/ftncnw\/<\/a><\/p>\n\n\n\n

Alexander Gardner in the George Eastman House<\/em> Photography Collections Online<\/h2>\n\n\n\n

http:\/\/www.geh.org\/<\/a><\/p>\n\n\n\n

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Alexander Gardner<\/strong>,\u00a0Dead Confederate Sharpshooter in the Devil\u2019s Den, Gettysburg, Pa, July 1863<\/em>. Albumen print \u00a9 Library of Congress, Prints & Photographs Division, Civil War Photographs [reproduction number, LC-B817-7942].<\/figcaption><\/figure>\n\n\n\n

Hiroshima: Ground Zero 1945 Exhibition, International Center of Photography<\/h2>\n\n\n\n

http:\/\/www.icp.org\/museum\/exhibitions\/hiroshima-ground-zero-1945<\/a><\/p>\n\n\n\n

Holocaust Photographs, The Jewish Virtual Library<\/h2>\n\n\n\n

http:\/\/www.jewishvirtuallibrary.org\/jsource\/Holocaust\/phototoc.html<\/a><\/p>\n\n\n\n

Photo archives, The United States Holocaust Memorial Museum<\/h2>\n\n\n\n

http:\/\/www.ushmm.org\/research\/collections\/photo\/<\/a><\/p>\n\n\n\n

Chris Hondros<\/h2>\n\n\n\n

http:\/\/www.chrishondros.com\/<\/a><\/p>\n\n\n\n

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Chris Hondros<\/strong>,\u00a0One Night in Tal Afar.<\/em>\u00a0January 2005. Color photograph. \u00a9 Chris Hondros \/ Getty Images.<\/figcaption><\/figure>\n\n\n\n

Victor Juhasz, Reportorial Illustration of Military<\/h2>\n\n\n\n

http:\/\/www.juhaszillustration.com\/index.php?gallery=gallery\/Reportorial<\/a><\/p>\n\n\n\n

JENNIFER KARADY<\/h2>\n\n\n\n

http:\/\/www.jenniferkarady.com\/<\/a><\/p>\n\n\n\n

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Jennifer Karady<\/strong>,\u00a0Former Sergeant Jose Adames, U.S. Marine Corps Recon, Stinger Gunner, 1st Platoon, Alpha Company, veteran of Operation Iraqi Freedom; Brooklyn, NY,\u00a0<\/em>February 2009. 48\u201dx 48\u201d Chromogenic Color Print.<\/figcaption><\/figure>\n\n\n\n

Michael Kimmelman, \u201cThe Gaze Turns Outward and Sees Estrangement\u201d, The New York Times, September 19, 2003<\/h2>\n\n\n\n

http:\/\/www.nytimes.com\/2003\/09\/19\/arts\/photography-review-the-gaze-turns-outward-and-sees-estrangement.html?pagewanted=all&src=pm<\/a><\/p>\n\n\n\n

Lily Burana, “As Memorial Day Nears, A Single Image That Continues to Haunt”, The New York Times, May 25, 2012<\/h2>\n\n\n\n

http:\/\/atwar.blogs.nytimes.com\/2012\/05\/25\/as-memorial-day-nears-a-single-image-that-continues-to-haunt\/?ref=warphotography<\/a><\/p>\n\n\n\n

The Charles Willson Peale Family Papers (portaiture\/war)<\/h2>\n\n\n\n

http:\/\/www.npg.si.edu\/exh\/peale\/index-papers.htm<\/a><\/p>\n\n\n\n

The POrtrait, on George Washington: A National Treasure<\/h2>\n\n\n\n

http:\/\/www.georgewashington.si.edu\/portrait\/dress.html<\/a><\/p>\n\n\n\n

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Charles Willson Peale,<\/strong>\u00a0George Washington<\/em>, 1772. Oil on canvas. \u00a9 Charles Willson Peale (1741-1827)
Washington University, St. Louis, USA \/ The Bridgeman Art Library.<\/figcaption><\/figure>\n\n\n\n

Carol Kino, “Portraits of War,” The New York Times, May 25, 2012<\/h2>\n\n\n\n

http:\/\/www.nytimes.com\/2012\/05\/27\/arts\/design\/joe-bonham-project-illustrates-the-wounds-of-war.html?pagewanted=all<\/a><\/p>\n\n\n\n

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Victor Juhasz<\/strong>,\u00a0Sgt J.M. Ross receiving some physical therapy on hands after removal of cast<\/em>, Bethesda Naval Hospital, May 22, 2011. Illustration courtesy of\u00a0Victor Juhasz<\/a>.<\/figcaption><\/figure>\n\n\n\n

The U.S. Army Heritage and Education Center<\/h2>\n\n\n\n

http:\/\/www.ahco.army.mil\/site\/index.jsp<\/a><\/p>\n\n\n\n

Nagasaki Journey: The Photographs of Yosuke Yamahata<\/em> Exhibition, Exploratorium, San Francisco, CA<\/h2>\n\n\n\n

http:\/\/www.exploratorium.edu\/nagasaki\/photos.html#journey\/01.gif<\/a><\/p>\n\n\n\n

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Yosuke Yamahata<\/strong>,\u00a0Nagasaki (Untitled, A-9-4)<\/em>, August 10, 1945<\/figcaption><\/figure>\n\n\n\n
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Yosuke Yamahata<\/strong>,\u00a0Nagasaki (Untitled, A-13-20)<\/em>, August 10, 1945<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

The Reframing Photography: Theory and Practice book discusses many works and issues related to photography and war, including the ethics of reproduction, the relationship between the media, the government, and the public, how photography represented the “realities” of war, and censorship and suppression of imagery during war. A list of links with related research material is below. Margot […]<\/p>\n","protected":false},"author":2,"parent":313,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[],"class_list":["post-929","content","type-content","status-publish","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/929\/revisions"}],"predecessor-version":[{"id":941,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/929\/revisions\/941"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/313"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=929"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}