{"id":942,"date":"2025-02-11T09:49:07","date_gmt":"2025-02-11T09:49:07","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&p=942"},"modified":"2025-02-11T09:49:09","modified_gmt":"2025-02-11T09:49:09","slug":"water","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/topics\/water\/","title":{"rendered":"Water"},"content":{"rendered":"\n

Robert Adams, ART21, PBS<\/a><\/h2>\n\n\n\n

http:\/\/www.pbs.org\/art21\/artists\/robert-adams<\/a><\/p>\n\n\n\n

Renate Aller<\/h2>\n\n\n\n

http:\/\/www.renatealler.com\/<\/a><\/p>\n\n\n\n

Tom Baril<\/a><\/h2>\n\n\n\n

http:\/\/www.tombaril.net\/<\/a> <\/p>\n\n\n\n

Mary Ellen Bartley<\/strong><\/a><\/h2>\n\n\n\n

http:\/\/www.maryellenbartley.com\/in-progress-sea-change<\/a><\/p>\n\n\n\n

Steven Benson, Three Gorges Dam<\/a><\/em><\/h2>\n\n\n\n

http:\/\/www.stevenbensonphotographer.com\/index.php – mi=2&pt=1&pi=10000&s=0&p=0&a=0&at=0<\/a><\/p>\n\n\n\n

\"\"
Steven Benson<\/strong>,\u00a0New Harbor, Chongqing<\/em><\/figcaption><\/figure>\n\n\n\n

Edward Burtynsky<\/a><\/h2>\n\n\n\n

http:\/\/www.edwardburtynsky.com\/<\/a><\/p>\n\n\n\n

\"\"
Edward Burtynsky<\/strong>,\u00a0Oil Spill #9<\/em>,<\/strong>\u00a0Oil Slick at Rip Tide, Gulf of Mexico, June 24, 2010.<\/figcaption><\/figure>\n\n\n\n

The Canary Project<\/a><\/h2>\n\n\n\n

http:\/\/canary-project.org\/<\/a><\/p>\n\n\n\n

\"\"
Sayler \/ Morris for the Canary Project<\/strong>,\u00a0\u00a0Glacial, Icecap and Permafrost Melting LIX: Lake Paron, Peru, 2008.<\/em><\/figcaption><\/figure>\n\n\n\n

Vija Celmins, at C4 Contemporary Art<\/h2>\n\n\n\n

http:\/\/www.c4gallery.com\/artist\/database\/vija-celmins\/vija-celmins.html<\/a><\/p>\n\n\n\n

Lynn Davis<\/strong><\/a><\/h2>\n\n\n\n

http:\/\/lynndavisphotography.com\/<\/a><\/p>\n\n\n\n

Robert Dawson<\/a><\/h2>\n\n\n\n

http:\/\/www.robertdawson.com\/<\/a><\/p>\n\n\n\n

Susan Derges <\/a><\/h2>\n\n\n\n

http:\/\/www.susanderges.com\/<\/a> <\/p>\n\n\n\n

Terry Evans<\/a><\/h2>\n\n\n\n

http:\/\/www.terryevansphotography.com\/<\/a><\/p>\n\n\n\n

\"\"
Terry Evans<\/strong>,\u00a0A Greenland Glacier: The Scale of Climate Change<\/em><\/figcaption><\/figure>\n\n\n\n

Adam Fuss, at the Fraenkel Gallery<\/a><\/h2>\n\n\n\n

http:\/\/fraenkelgallery.com\/artists\/adam-fuss<\/a><\/p>\n\n\n\n

Dan Gerber<\/a><\/h2>\n\n\n\n

http:\/\/www.dan-gerber.com\/hydroscapes<\/a><\/p>\n\n\n\n

\"\"
Dan Gerber<\/strong>,\u00a0hs: 020 (hydroscapes)<\/em>, 2012<\/figcaption><\/figure>\n\n\n\n

Karen Glaser<\/a><\/h2>\n\n\n\n

http:\/\/www.karenglaserphotography.com\/<\/a><\/p>\n\n\n\n

\"\"
Karen Glaser<\/strong>,\u00a0Roberts Lake Strand<\/em>, 2009. Photo \u00a9 Karen Glaser.<\/figcaption><\/figure>\n\n\n\n

David Goldes\u00a0<\/a><\/h2>\n\n\n\n

http:\/\/davidgoldes.com\/<\/a><\/p>\n\n\n\n

\"\"
David Goldes,<\/strong>\u00a0Bridge<\/em><\/figcaption><\/figure>\n\n\n\n

Harry Gruyaert,\u00a0Rivages<\/em>, at Magnum Photos<\/h2>\n\n\n\n

http:\/\/www.magnumphotos.com\/C.aspx?VP3=SearchResult&ALID=2TYRYDDWUYMQ&XXAPXX=SubPanel10<\/a><\/p>\n\n\n\n

Jose Guerrero at Kopeikin Gallery<\/h2>\n\n\n\n

http:\/\/kopeikingallery.com\/artists\/view\/jose-guerrero<\/a><\/p>\n\n\n\n

Simon Harsent<\/h2>\n\n\n\n

http:\/\/www.simonharsent.com\/#<\/a><\/p>\n\n\n\n

Naoya Hatakeyama at L.A.Galerie Lothar Albrecht<\/h2>\n\n\n\n

http:\/\/www.lagalerie.de\/hatakeyama.html<\/a><\/p>\n\n\n\n

David Hockney<\/a><\/h2>\n\n\n\n

http:\/\/www.hockneypictures.com\/<\/a><\/p>\n\n\n\n

Roni Horn at Hauser & Wirth Gallery<\/a><\/h2>\n\n\n\n

http:\/\/www.hauserwirth.com\/artists\/14\/roni-horn\/images-clips\/<\/a><\/p>\n\n\n\n

Roni Horn on ART21, PBS<\/h2>\n\n\n\n

http:\/\/www.pbs.org\/art21\/artists\/roni-horn<\/a><\/p>\n\n\n\n

Frank Hurley: Antarctica, Discover Collections, State Library, New South Wales<\/a><\/h2>\n\n\n\n

http:\/\/www.sl.nsw.gov.au\/discover_collections\/natural_world\/antarctica\/hurley\/index.html<\/a><\/p>\n\n\n\n

Connie Imboden<\/a><\/h2>\n\n\n\n

http:\/\/connieimboden.com\/<\/a><\/p>\n\n\n\n

\"\"
Connie Imboden<\/strong>,\u00a0Untitled<\/em><\/figcaption><\/figure>\n\n\n\n

Institute for Flow Sciences [Institut f\u00fcr Str\u00f6mungswissenschaften]<\/a><\/h2>\n\n\n\n

http:\/\/www.stroemungsinstitut.de\/prospect.htm<\/a><\/p>\n\n\n\n

Yasuhiro Ishimoto, Art Institute of Chicago <\/a><\/h2>\n\n\n\n

http:\/\/www.artic.edu\/aic\/collections\/artwork-search\/results\/ishimoto\/+AND+title%3A%22water%22~100<\/a><\/p>\n\n\n\n

Yoi Kawakubo<\/a><\/h2>\n\n\n\n

http:\/\/www.yoikawakubo.com\/<\/a><\/p>\n\n\n\n

\"\"
Yoi Kawakubo<\/strong>,\u00a0The Waterfront #29,<\/em>\u00a02012.<\/figcaption><\/figure>\n\n\n\n

Michael Kenna<\/a><\/h2>\n\n\n\n

http:\/\/www.michaelkenna.net\/gallery.php?id=74<\/a><\/p>\n\n\n\n

\"\"
Michael Kenna<\/strong>,\u00a0Kussharo Lake, Study 2, Hokkaido, Japan.\u00a0<\/em>2003<\/figcaption><\/figure>\n\n\n\n

Sant Khalsa<\/a><\/h2>\n\n\n\n

http:\/\/santkhalsa.com\/<\/a><\/p>\n\n\n\n

\"\"
Sant Khalsa<\/strong>,\u00a0Western Waters<\/em><\/figcaption><\/figure>\n\n\n\n

Douglas M. Koch<\/a><\/h2>\n\n\n\n

http:\/\/dougkochphotographer.com\/water-ways<\/a><\/p>\n\n\n\n

\"\"
Douglas M. Koch<\/strong>,\u00a0Wallow, Baker Wetlands, winter<\/em><\/figcaption><\/figure>\n\n\n\n

Seba Kurtis<\/h2>\n\n\n\n

http:\/\/www.sebakurtis.com\/<\/a><\/p>\n\n\n\n

\"\"
Seba Kurtis<\/strong>, Shoe Box (Front).<\/em><\/figcaption><\/figure>\n\n\n\n

JungJin Lee<\/a><\/h2>\n\n\n\n

http:\/\/www.jungjinlee.com\/<\/a><\/p>\n\n\n\n

\"\"
Jungjin Lee<\/strong>, from the series\u00a0Ocean.<\/em><\/figcaption><\/figure>\n\n\n\n

David Maisel<\/a><\/h2>\n\n\n\n

http:\/\/davidmaisel.com\/<\/a><\/p>\n\n\n\n

Michael Marten<\/h2>\n\n\n\n

http:\/\/www.michaelmarten.com\/<\/a><\/p>\n\n\n\n

\"\"
Michael Marten<\/strong>,\u00a0Perranporth, Cornwall. 29 and 30 August 2007. Low water 12 noon, high water 8pm.<\/em><\/figcaption><\/figure>\n\n\n\n

Shinichi Maruyama<\/a><\/h2>\n\n\n\n

http:\/\/www.shinichimaruyama.com\/<\/a><\/p>\n\n\n\n

Mark Mawson<\/a><\/h2>\n\n\n\n

http:\/\/www.markmawson.com\/<\/a><\/p>\n\n\n\n

\"\"
Mark Mawson<\/strong>,\u00a0Aqueous Electreau.<\/em><\/figcaption><\/figure>\n\n\n\n

Joel Meyerowitz<\/h2>\n\n\n\n

http:\/\/joelmeyerowitz.com\/<\/a><\/p>\n\n\n\n

DoDo Jin Ming at Laurence Miller Gallery<\/h2>\n\n\n\n

http:\/\/www.laurencemillergallery.com\/artist_dodojinming.html<\/a><\/p>\n\n\n\n

Richard Misrach, at Fraenkel Gallery<\/h2>\n\n\n\n

http:\/\/fraenkelgallery.com\/artists\/richard-misrach<\/a><\/p>\n\n\n\n

Rebekah Modrak<\/h2>\n\n\n\n

http:\/\/www.reframingphotography.com\/resources\/rebekah-modrak<\/a><\/p>\n\n\n\n

\"\"
Rebekah Modrak<\/strong>, Venus with toaster.<\/em><\/figcaption><\/figure>\n\n\n\n

Edgar Moreno, Memoirs of Water<\/em> Exhibition, Station Museum of Contemporary Art, March 19-April 29, 2004 <\/a><\/h2>\n\n\n\n

http:\/\/stationmuseum.com\/index.php\/exhibitions\/92-edgar-moreno-memoirs-of-water<\/a><\/p>\n\n\n\n

Peter Conrad, “Eadweard Muybridge: Pioneer Photographer”, The Guardian, August 28, 2010<\/a><\/h2>\n\n\n\n

http:\/\/www.guardian.co.uk\/artanddesign\/2010\/aug\/29\/eadweard-muybridge-tate-review<\/a><\/p>\n\n\n\n

Asako Narahashi<\/a><\/h2>\n\n\n\n

http:\/\/www.03fotos.com\/<\/a><\/p>\n\n\n\n

Kramer O\u2019Neill, Till Human Voices Wake Us<\/em><\/h2>\n\n\n\n

http:\/\/krameroneill.com\/<\/a><\/p>\n\n\n\n

\"\"
Kramer O’Neill<\/strong>,\u00a0Till Human Voices Wake Us<\/em><\/figcaption><\/figure>\n\n\n\n

Manuel Pina<\/a><\/h2>\n\n\n\n

http:\/\/www.manuelpina.info\/<\/a><\/p>\n\n\n\n

Scott Rhea<\/a><\/h2>\n\n\n\n

http:\/\/www.rheapipeline.com\/<\/a><\/p>\n\n\n\n

Ripple Effect, The Art of H2O<\/em>, Peabody Essex Museum, June 2011 – July 2012<\/a><\/h2>\n\n\n\n

http:\/\/www.pem.org\/exhibitions\/134-ripple_effect_the_art_of_h2o<\/a><\/p>\n\n\n\n

Clifford Ross<\/h2>\n\n\n\n

http:\/\/www.cliffordross.com\/<\/a><\/p>\n\n\n\n

Sayler \/ Morris website<\/a><\/h2>\n\n\n\n

http:\/\/sayler-morris.com\/<\/a><\/p>\n\n\n\n

\"\"
Sayler \/ Morris for the Canary Project<\/strong>,Glacial, Icecap and Permafrost Melting LI: Cordillera Blanca, Peru, 2008.<\/em><\/figcaption><\/figure>\n\n\n\n

Deb Schwedhelm<\/a><\/h2>\n\n\n\n

http:\/\/debschwedhelm.com\/<\/a><\/p>\n\n\n\n

Lauren Shields<\/a><\/h2>\n\n\n\n

http:\/\/www.laurenshields.co.uk\/<\/a><\/p>\n\n\n\n

Joni Sternbach<\/a><\/h2>\n\n\n\n

http:\/\/www.jonisternbach.com\/index.html<\/a><\/p>\n\n\n\n

Hiroshi Sugimoto<\/a><\/h2>\n\n\n\n

http:\/\/www.sugimotohiroshi.com\/<\/a><\/p>\n\n\n\n

Mark Klett, “Water in the West”, Design Observer, October 26, 2011<\/a><\/h2>\n\n\n\n

http:\/\/places.designobserver.com\/feature\/water-in-the-west\/30708\/<\/a><\/p>\n\n\n\n

Randy West<\/a><\/h2>\n\n\n\n

http:\/\/www.randywest.net\/<\/a><\/p>\n\n\n\n

\"\"
Randy West<\/strong>,\u00a0Seascape 23<\/em>, photosensitized linen print, 1993\/94, 40 x 50 inches.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Robert Adams, ART21, PBS http:\/\/www.pbs.org\/art21\/artists\/robert-adams Renate Aller http:\/\/www.renatealler.com\/ Tom Baril http:\/\/www.tombaril.net\/  Mary Ellen Bartley http:\/\/www.maryellenbartley.com\/in-progress-sea-change Steven Benson, Three Gorges Dam http:\/\/www.stevenbensonphotographer.com\/index.php – mi=2&pt=1&pi=10000&s=0&p=0&a=0&at=0 Edward Burtynsky http:\/\/www.edwardburtynsky.com\/ The Canary Project http:\/\/canary-project.org\/ Vija Celmins, at C4 Contemporary Art http:\/\/www.c4gallery.com\/artist\/database\/vija-celmins\/vija-celmins.html Lynn Davis http:\/\/lynndavisphotography.com\/ Robert Dawson http:\/\/www.robertdawson.com\/ Susan Derges  http:\/\/www.susanderges.com\/  Terry Evans http:\/\/www.terryevansphotography.com\/ Adam Fuss, at the Fraenkel Gallery http:\/\/fraenkelgallery.com\/artists\/adam-fuss […]<\/p>\n","protected":false},"author":2,"parent":313,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[6,7,8,9,10,11,12,13,14,16],"class_list":["post-942","content","type-content","status-publish","hentry","topic-documentary-style","topic-editing","topic-landscape","topic-light-shadow","topic-photojournalism","topic-portraiture","topic-presentation","topic-reproductive-processes","topic-series-sequence","topic-vision"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/942\/revisions"}],"predecessor-version":[{"id":964,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/942\/revisions\/964"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/313"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=942"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}