{"id":992,"date":"2025-02-11T15:31:38","date_gmt":"2025-02-11T15:31:38","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?post_type=content&#038;p=992"},"modified":"2025-02-11T15:31:40","modified_gmt":"2025-02-11T15:31:40","slug":"marina-abramovic","status":"publish","type":"content","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/resources\/artists\/marina-abramovic\/","title":{"rendered":"Marina Abramovi\u00e7"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Marina<\/h2>\n\n\n\n<p>Documentary film about Marina Abramovic<a href=\"http:\/\/marinafilm.com\/\"><br>http:\/\/marinafilm.com\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Marina Abramovic,&nbsp;<em>The Artist is Present&nbsp;<\/em>Exhibition, March \u2013 May 2010, MoMA<a href=\"http:\/\/www.moma.org\/visit\/calendar\/exhibitions\/965\"><\/a><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.moma.org\/visit\/calendar\/exhibitions\/965\">http:\/\/www.moma.org\/visit\/calendar\/exhibitions\/965<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Holland Cotter, \u201cPerformance Art Preserved, in the Flesh,\u201d Art &amp; Design,&nbsp;<em>The New York Times<\/em>, March 11, 2010<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.nytimes.com\/2010\/03\/12\/arts\/design\/12abromovic.html\">http:\/\/www.nytimes.com\/2010\/03\/12\/arts\/design\/12abromovic.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>James Westcott, \u201cArtist Marina Abramovic: \u2018I have to be like a mountain\u2019,\u201d&nbsp;<em>The Guardian<\/em>, March 19, 2010<\/strong><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2010\/mar\/19\/art-marina-abramovic-moma\">http:\/\/www.guardian.co.uk\/artanddesign\/2010\/mar\/19\/art-marina-abramovic-moma<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Marina Abramovic,&nbsp;<em>Seven Easy Pieces<\/em>&nbsp;performances, 2005, Guggenheim Museum<\/strong><\/h2>\n\n\n\n<p><a href=\"http:\/\/pastexhibitions.guggenheim.org\/abramovic\/\">http:\/\/pastexhibitions.guggenheim.org\/abramovic\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Marina Abramovic at Sean Kelly Gallery<\/strong><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.skny.com\/artists\/marina-abramovi\/\">http:\/\/www.skny.com\/artists\/marina-abramovi\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Marina Abramovic in Artist Works Catalogues on artnet<\/strong><\/h2>\n\n\n\n<p><a href=\"http:\/\/www.artnet.com\/awc\/marina-abramovic.html\">http:\/\/www.artnet.com\/awc\/marina-abramovic.html<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Marina Abramovic Institute<\/strong><\/h2>\n\n\n\n<p><a href=\"http:\/\/marinaabramovicinstitute.org\/\">http:\/\/marinaabramovicinstitute.org\/<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Bernard Goy, \u201cMarina Abramovic,\u201d Interview,&nbsp; Journal of Contemporary Ar, June 1990<\/strong><\/h2>\n\n\n\n<p><a href=\"http:\/\/jca-online.com\/abramovic.html\">http:\/\/jca-online.com\/abramovic.html<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"365\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_U-RelMove-ab169b-32x21bw.jpg\" alt=\"\" class=\"wp-image-993\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_U-RelMove-ab169b-32x21bw.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_U-RelMove-ab169b-32x21bw-300x201.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\"><strong>Marina Abramovi\u0107 and Ulay<\/strong><br><em>RELATION IN MOVEMENT<\/em><br>Performance<br>16 hours<br>10th Biennale de Paris, Muse\u00e9 d\u2019art moderne de la ville de Paris, France<br>1977<br>Ph: Hartmut Kowalke<br>Courtesy The Marina Abramovic Archives and Sean Kelly Gallery New York.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"367\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_ArtBeautif-01-32x22bw.jpg\" alt=\"\" class=\"wp-image-994\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_ArtBeautif-01-32x22bw.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_ArtBeautif-01-32x22bw-300x202.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"363\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_ArtMustBe-004-50x33bw.jpg\" alt=\"\" class=\"wp-image-995\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_ArtMustBe-004-50x33bw.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_ArtMustBe-004-50x33bw-300x200.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"363\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_MA-ArtMustBe-001-50x33bw.jpg\" alt=\"\" class=\"wp-image-996\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_MA-ArtMustBe-001-50x33bw.jpg 545w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_MA-ArtMustBe-001-50x33bw-300x200.jpg 300w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><\/figure>\n\n\n\n<p><strong>Marina Abramovi\u0107<\/strong><br><em>ART MUST BE BEAUTIUL, ARTIST MUST BE BEAUTIFUL<\/em><br>Performance<br>1 hour<br>Charlottenburg Art Festival, Copenhagen, Denmark<br>1975<br>\u00a9 Marina Abramovic<br>Courtesy of The Marina Abramovi\u0107 Archives and Sean Kelly Gallery New York<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"417\" height=\"600\" src=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_U-Impond-ab158-25x36bw.jpg\" alt=\"\" class=\"wp-image-997\" srcset=\"https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_U-Impond-ab158-25x36bw.jpg 417w, https:\/\/cdn-staging.routledgelearning.com\/wp-content\/uploads\/assets\/sites\/16\/abramovic_U-Impond-ab158-25x36bw-209x300.jpg 209w\" sizes=\"auto, (max-width: 417px) 100vw, 417px\" \/><\/figure>\n\n\n\n<p><strong>Marina Abramovi\u0107 and Ulay<\/strong><br><em>IMPONDERABILIA<\/em><br>Performance<br>90 minutes<br>Galleria Communale d\u2019Arte Moderna, Bologna<br>1977<br>Copyright Giovanna dal Magro<br>Courtesy of The Marina Abramovi\u0107 Archives<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marina Documentary film about Marina Abramovichttp:\/\/marinafilm.com\/ Marina Abramovic,&nbsp;The Artist is Present&nbsp;Exhibition, March \u2013 May 2010, MoMA http:\/\/www.moma.org\/visit\/calendar\/exhibitions\/965 Holland Cotter, \u201cPerformance Art Preserved, in the Flesh,\u201d Art &amp; Design,&nbsp;The New York Times, March 11, 2010 http:\/\/www.nytimes.com\/2010\/03\/12\/arts\/design\/12abromovic.html James Westcott, \u201cArtist Marina Abramovic: \u2018I have to be like a mountain\u2019,\u201d&nbsp;The Guardian, March 19, 2010 http:\/\/www.guardian.co.uk\/artanddesign\/2010\/mar\/19\/art-marina-abramovic-moma Marina Abramovic,&nbsp;Seven Easy [&hellip;]<\/p>\n","protected":false},"author":2,"parent":304,"menu_order":0,"template":"resource-artist","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"topic":[11,13],"class_list":["post-992","content","type-content","status-publish","hentry","topic-portraiture","topic-reproductive-processes"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/content"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/992\/revisions"}],"predecessor-version":[{"id":998,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/992\/revisions\/998"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/content\/304"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/categories?post=992"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}