{"id":2695,"date":"2025-10-01T14:10:29","date_gmt":"2025-10-01T14:10:29","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?page_id=2695"},"modified":"2025-10-01T14:11:58","modified_gmt":"2025-10-01T14:11:58","slug":"book-outline","status":"publish","type":"page","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/about-the-book\/book-outline\/","title":{"rendered":"Book Outline"},"content":{"rendered":"\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"columns-4 wp-block-post-template is-layout-grid wp-container-core-post-template-is-layout-e7fd85f5 wp-block-post-template-is-layout-grid\"><li class=\"wp-block-post post-2697 page type-page status-publish hentry\">\n<h2 style=\"font-style:normal;font-weight:600; padding-top:0;padding-bottom:0;margin-top:0;margin-bottom:0;\" class=\"wp-block-post-title\"><a href=\"https:\/\/staging.routledgelearning.com\/reframingphotography\/about-the-book\/book-outline\/part-1-vision\/\" target=\"_self\" >Part 1: Vision<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">THEORY 1: Seeing, Perceiving, and Mediating VisionREBEKAH MODRAK this essay looks at &#8230;&nbsp;active and passive approaches to vision and recording, visual mechanisms (including sea creatures, humans, and cameras), Ann Hamilton&#8217;s mouth cameras, David Hockney&#8217;s and&hellip; <\/p><\/div>\n<\/li><li class=\"wp-block-post post-2700 page type-page status-publish hentry\">\n<h2 style=\"font-style:normal;font-weight:600; padding-top:0;padding-bottom:0;margin-top:0;margin-bottom:0;\" class=\"wp-block-post-title\"><a href=\"https:\/\/staging.routledgelearning.com\/reframingphotography\/about-the-book\/book-outline\/part-2-light-and-shadow\/\" target=\"_self\" >Part 2: Light and Shadow<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">THEORY 2: Light and ShadowBILL ANTHES this essay looks at &#8230;&nbsp;flicker films, Plato&#8217;s allegory of the cave, H.P. Robinson&#8217;s allegorical images, working with the absence of light, Tony Conrad&#8217;s slow emulsions, photography as fairy magic&hellip; <\/p><\/div>\n<\/li><li class=\"wp-block-post post-2702 page type-page status-publish hentry\">\n<h2 style=\"font-style:normal;font-weight:600; padding-top:0;padding-bottom:0;margin-top:0;margin-bottom:0;\" class=\"wp-block-post-title\"><a href=\"https:\/\/staging.routledgelearning.com\/reframingphotography\/about-the-book\/book-outline\/part-3-reproductive-processes\/\" target=\"_self\" >Part 3: Reproductive Processes<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">THEORY 3: Copying, Capturing, and ReproducingREBEKAH MODRAK this essay looks at &#8230;&nbsp;the photograph as physical imprint, Walter Benjamin and the aura of the work of art, Otsuka Museum of Art&#8217;s full scale reproductions, genetic and&hellip; <\/p><\/div>\n<\/li><li class=\"wp-block-post post-2704 page type-page status-publish hentry\">\n<h2 style=\"font-style:normal;font-weight:600; padding-top:0;padding-bottom:0;margin-top:0;margin-bottom:0;\" class=\"wp-block-post-title\"><a href=\"https:\/\/staging.routledgelearning.com\/reframingphotography\/about-the-book\/book-outline\/part-4-editing-presentation-and-evaluation\/\" target=\"_self\" >Part 4: Editing, Presentation, and Evaluation<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">THEORY 4a: Series and SequenceBILL ANTHES this essay looks at &#8230;&nbsp;Sarah Charlesworth&#8217;s recontextualized newspapers, a comparison of The Family of Man by Edward Steichen and Steve McQueen, typologies by the Bechers, Karl Blossfeldt, Dan Graham,&hellip; <\/p><\/div>\n<\/li><\/ul>\n\n\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":127,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"topic":[],"class_list":["post-2695","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/pages\/2695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/comments?post=2695"}],"version-history":[{"count":2,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/pages\/2695\/revisions"}],"predecessor-version":[{"id":2699,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/pages\/2695\/revisions\/2699"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/pages\/127"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=2695"}],"wp:term":[{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=2695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}