{"id":2704,"date":"2025-10-01T14:13:35","date_gmt":"2025-10-01T14:13:35","guid":{"rendered":"http:\/\/localhost\/reframingphotography\/?page_id=2704"},"modified":"2025-10-01T14:13:36","modified_gmt":"2025-10-01T14:13:36","slug":"part-4-editing-presentation-and-evaluation","status":"publish","type":"page","link":"https:\/\/staging.routledgelearning.com\/reframingphotography\/about-the-book\/book-outline\/part-4-editing-presentation-and-evaluation\/","title":{"rendered":"Part 4: Editing, Presentation, and Evaluation"},"content":{"rendered":"\n<p><strong>THEORY 4a: Series and Sequence<\/strong><br>BILL ANTHES<\/p>\n\n\n\n<p><strong>this essay looks at &#8230;&nbsp;<\/strong><br>Sarah Charlesworth&#8217;s recontextualized newspapers, a comparison of The Family of Man by Edward Steichen and Steve McQueen, typologies by the Bechers, Karl Blossfeldt, Dan Graham, and others, the photographic archive as a tool of social control, series-based portraiture by artists August Sander, VALIE EXPORT, Claude Cahun, Bea Nettles, Annette Messager, and Sophie Calle, the passage of space and time in works by Ed Ruscha, Duane Michals, Minor White, William Christenberry, and Atta Kim, photographic documentation of artistic process, observation and experimentation, the photobook as a traveling idea, the slide show as performed sequence, Eadweard Muybridge and the illusion of motion, sequential narrative in works by Jan Groover, Eleanor Antin, and Chris Marker, compressing time in video works by Andy Warhol and Paul Pfeiffer, and more &#8230;<br><\/p>\n\n\n\n<p><strong>THEORY 4b: Text and Image<\/strong><br>BILL ANTHES<\/p>\n\n\n\n<p><strong>this essay looks at &#8230;&nbsp;<\/strong><br>the theory of semiotics, text and image as political tools in the work of Jacob Riis, the FSA, &#8220;Have you Seen Their Faces&#8221;, and &#8220;Let Us Now Praise Famous Men&#8221;, captions and photographs in the picture magazine and weekly tabloid, Pat Ward Williams&#8217;s handwritten retellings, Shawna Dempsey and Lorri Millan&#8217;s photo essay parody, Bill Owen, Gay Block, and Clarissa Sligh&#8217;s stories of suburbia and family, photographs and questions that counter the voice of authority, posters by the Guerrilla Girls, installations by Carrie Mae Weems and Glenn Ligon, how text and image can create skeptics, instructional text in the work of Erwin Wurm, Gillian Wearing, Tony Oursler, and the spoken word, pictures of words, when words become the image, appropriation and photomontage, Adbusters, The Billboard Liberation Front, and cultural jamming, and more &#8230;<br><\/p>\n\n\n\n<p><strong>PRACTICE 4: Editing, Presentation, and Evaluation: Tools, Materials, and Processes<\/strong><br>REBEKAH MODRAK<br><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">editing<\/h3>\n\n\n\n<p>learn to &#8230;<br>resize digital images<br>work with Adobe Photoshop&#8217;s tools panel<br>use selection tools<br>adjust image contrast and tone in the darkroom and digitally<br>use Adobe Photoshop&#8217;s Histogram and Info panel<br>use Levels and Curves in Adobe Photoshop<br>burn and dodge in the darkroom and digitally<br>digitally correct color casts<br>handcolor prints with oils and pencils<br>tone and color silver gelatin prints<br>simulate the effect of handcoloring and toning with digital processes<br>retouch prints and digital images<br>understand image appropriation and copyright issues<br>make photo-based collage with paper and adhesive or digital tools<br>understand the Adobe Photoshop Layers panel<br>integrate handmade and alternative type<br>create type in the darkroom<br>use Type layers and formatting in Adobe Photoshop<br>warp type to fit around other imagery<br>fill type with photographic images<br><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">presentation<\/h3>\n\n\n\n<p>learn &#8230;<br>about artists&#8217; books, styles of books, and bookbinding terms<br>to construct a side-stitch or accordion book<br>to create high quality print on demand books<br>to mount, mat, and frame a print<br>how to illuminate images by constructing a lightbox<br>to prepare images for the web<br>how to build an online portfolio or webpage<br>to create an interactive web-based artwork<br>to animate images with thaumatropes, zoetropes, or flip books<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">evaluation<\/h3>\n\n\n\n<p>learn to &#8230;<br>become an astute viewer and interpreter<br>choose an effective critique method<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THEORY 4a: Series and SequenceBILL ANTHES this essay looks at &#8230;&nbsp;Sarah Charlesworth&#8217;s recontextualized newspapers, a comparison of The Family of Man by Edward Steichen and Steve McQueen, typologies by the Bechers, Karl Blossfeldt, Dan Graham, and others, the photographic archive as a tool of social control, series-based portraiture by artists August Sander, VALIE EXPORT, Claude [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":2695,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"topic":[],"class_list":["post-2704","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/pages\/2704","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/comments?post=2704"}],"version-history":[{"count":1,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/pages\/2704\/revisions"}],"predecessor-version":[{"id":2705,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/pages\/2704\/revisions\/2705"}],"up":[{"embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/pages\/2695"}],"wp:attachment":[{"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/media?parent=2704"}],"wp:term":[{"taxonomy":"topic","embeddable":true,"href":"https:\/\/staging.routledgelearning.com\/reframingphotography\/wp-json\/wp\/v2\/topic?post=2704"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}